Three exhibitions at The Clay Studio, Philadelphia, PA

Three exhibitions at The Clay Studio, Philadelphia, PA
October 4-28, 2012

Peter Morgan exhibition The Clay Studio Philadelphia

Peter Morgan: All Aboard at Harrison Gallery
The 2011-2012 Evelyn Shapiro Foundation Fellowship Exhibition

All Aboard includes work that Morgan made this past year, while serving as the Evelyn Shapiro Foundation Fellow. This fellowship afforded him a monthly living stipend, materials and firing stipend, free studio space, this solo exhibition and a tri-fold publication produced in support. A representational sculptor, Morgan received a BA in fine arts from Roanoke College, Salem, VA, a BFA from the California College of Arts and Crafts, Oakland, CA and his MFA in 2005 from the New York State College of Ceramics at Alfred University, Alfred NY. His work builds on a tradition in ceramics that began in the 1960’s and emerged out of California’s Bay Area. The artists working within this tradition created representational sculpture, oftentimes humorous and/or tongue in cheek, irreverent and anti-establishment, their inspiration drawn from the beat movement, Pop Art, and the then burgeoning counter culture revolution. 

Morgan employs many of the practices of his Funk predecessors using word puns and humor, to create surreal narrative compositions, layered in meaning. His sculptures may grow out of a childhood memory, his love of a specific food item, history or a perplexing current event. With All Aboard, Morgan takes the viewer on a train ride like none other they’ve had. As in all his work, the train cars are skillfully and sensitively sculpted, Morgan’s interest in and love for his subject matter evident and felt. 

His sculptures are real and unreal, familiar yet foreign. Morgan states, “The work is an investigation and celebration of cultural mythologies. I think of my sculptures as being platonic ideals in physical form. They focus on our ideal understandings and desires of these objects in our minds, yet they often bear very little in common with the actuality of these concerns.” Jeff Guido, Artistic Director

Blue and White exhibition The Clay Studio Philadelphia
Blue and White at Reed Smith Gallery

The field of ceramics is laden with numerous traditions of technique, material, style, and form specific to a given culture and or specific time period. Few traditions moved beyond borders or lasted through time to become significant to multiple cultures. The tradition of Blue & White is one that has; a white clay body serving as ground for blue decoration applied by hand, stenciling, or screen transfer. Islamic tin-glazed tile of the 9th century, pinyin or blue flowers drawn on 14th century Chinese porcelain pots, the narrative hand-painted Delft pots of the 16th century Dutch, to the English and American traditions of Willowware, the process of cobalt blue decoration on fine, translucent, and white porcelain is a deeply rooted tradition, crossing cultures and spanning great lengths of time.

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