Galerie Perrotin, Hong Kong, is pleased to present “Fireworks” by Johan Creten. Born in Sint-Truiden, Belgium, Creten has been working on the move for 25 years, from Mexico to Rome, from Miami to Amsterdam. He currently lives in Paris, France, but the sculptures exhibited in Hong Kong have been specially made during the past two years at Struktuur 68 in Den Haag, the Netherlands.
Mikael Jackson and Sophus Ejler Jepsen: For miles … & tanton / Copenhagen Ceramics September 25 – October 18, 2014
Materiality and balance – and a young man’s search for his lost shadow in the concrete-jungle of Chamisso. Two very different artists meet in Copenhagen Ceramics’s current exhibition.
At Copenhagen Ceramics ceramicist Mikael Jackson is showing a new series of works that explore the physical conditions for balance with the architecture of the gallery-space itself as the starting point. The ceramic works consist of juxtaposed geometrical elements, whose meaning as both freestanding and supporting elements is scrutinized.
Gaku Shakunaga: New Pyramids in Black / Yufuku Gallery, Tokyo July 10-19, 2014
Gaku Shakunaga (b. 1978) creates swirling stoneware pyramids drenched in luscious black glaze accentuated with lacquer. One of the younger ceramists of Yufuku, Shakunaga represents the future of Japanese ceramic sculptors, of artists who are not afraid to create non-functional ceramics that are devoid of function, and are challenging conceptual objects that are modes of expression as well as outlets for the artist’s aesthetics. Having graduated with a degree in sculpture from the leading Tokyo University of Arts, the most prestigious of art universities in Japan, Shakunaga’s new works find the artist combining the forms of his previous Sekiso series with his new-found muse in black.
Zane Bennett Contemporary Art is pleased to announce Complications, an exhibition of works in glass by Matthew Szösz. The opening is Friday, June 27, at the gallery, from 5-7 pm as part of the Railyard Arts District Last Friday Artwalk.
Matthew Szösz, born in Providence Rhode Island, resides and practices in northern California. He holds a Bachelor’s of Fine Arts, a Bachelor’s of Industrial Design and a Master of Fine Arts in Glass all from Rhode Island School of Design (RISD), and has been awarded grants by prestigious institutions in his field such as the L.C. Tiffany Foundation. Szösz has held numerous artist residencies all over the world including the Danish Royal Academy.
Sakiyama Takayuki and Fukumoto Fuku / Joan B Mirviss, New York June 10 - August 22, 2014
Sakiyama Takayuki: Tidal Forms
Sakiyama Takayuki (b. 1958) continues to expound on his series: Chōtō - Listening to the Waves. Focusing now on the power of the ocean, the artist created these highly sculptural ceramic works to evoke the sublime nature of the waves and currents.
Sakiyama continues to mine the rugged coastline and beaches of his home on the Izu Peninsula for inspiration. The surfaces of his strikingly unique centrifugal forms give the appearance of having been made from sand. A special glaze that he developed highlights the intricate designs, which the artist achieves by carving the clay. Moving and receding across the surface, the texture also echoes raked Zen Gardens. These substantial double-walled vessels maintain true to their functional origins while conveying a highly sculptural quality.
Watt’s Up? explores the relationship between ceramics and light by presenting some thirty works of art from all over the world, all created in recent years. Oddly enough, this relationship seems to inspire artists more than designers, trained to create objects such as lamps. Perhaps that’s because light transcends objects and gives us a whole new take on the world. Light affects our vision by modifying our perception of space and movement. In addition, there is a symbolic, poetic and mysterious element to it. As the French author Jean Giono once put it, very clever mysteries hide in the light. If light and ceramics go hand in hand, it’s mainly courtesy of porcelain’s unique properties of translucency, which can give light – produced by a candle or a tungsten filament – a soft, poetic aura and elicit a feeling of wonder. Ceramics offers a broad palette of sensations to play with. Faience is heavy, glossy and sensual in its interaction with light. Pottery absorbs lux units and asserts its own material plasticity to counter the intangible nature of light. Porcelain is lightweight and translucent, and the matte aspect of unglazed biscuit forms a striking contrast with the gloss of the glaze. Watt’s Up? is an unprecedented investigation of the latest innovations and know-how, both sensorial and intellectual in scope.
A general overview of the exhibition takes us on a stroll through an avenue, with structures on either side. It is a walk between the fine elegance of geometric shapes, and the almost smug solidity and sensuous texture of the surface of the material, scorched by living flames.
In his book, “Species of Spaces and Other Pieces”, Georges Perec describes his journey through space, and the sensations it awakened within him: “Our gaze travels through space and gives us the illusion of relief and distance. That is how we construct a space, with an up and a down, a left and a right, and in front and a behind, a near and a far”.¹
Contemporary Ceramics Festival TseGlyna 2014, Kiev, Ukraine May 30 – June 3, 2014
The contemporary art ceramics festival TseGlyna 2014 takes place in Kyiv, Ukraine, between May 30 and June 3, 2014. This art project aimed at boosting the professional ceramics development in Ukraine.
The main objectives of the project are to demonstrate the achievements of Ukrainian ceramists and to develop the cooperation between ceramists, designers, architects, gallery owners, collectors and theorists.
Jason Jacques Gallery is pleased to announce its second contemporary exhibition with contemporary ceramic master Michael Geertsen. Following a ceramic installation at the Victoria and Albert Museum in London and a show at Puls Ceramics in his native Denmark, Michael Geertsen has come back to show in New York. Geertsen is known for sleek ceramic works with alien-like sculptural bodies, and stacked sculptures of utilitarian objects like plates and cups. His whimsical and animated forms are executed with machine-like precision, thanks to his background in industrial ceramics. Michael claims American streamline design and Italian Futurism as his primary influences.
Tommaso Corvi-Mora is pleased to present a solo exhibition of work Simon Carroll. Born in 1964, Simon Carroll died in 2009 at the age of 45. He was one of the most talented and inventive potters of his generation.
After the clean slate brought about by the generation of postmodern potters of the 70s and 80s (Alison Britton, Elizabeth Fritsch, Walter Keeler, Jacqui Poncelet), whose work developed also in reaction to Bernard Leach’s lasting influence, potters working in Britain divided themselves into two separate camps: those who could be called the “apollonians” (Julian Stair, Edmund de Waal, Ken Eastman), who privilege clean lines, muted colours, an interest in modes of display and an approach to ceramics influenced primarily by minimal and conceptual art, and those who could be identified as the “dionysians” (Gareth Mason, Ashley Howard), more focused on the object presented individually and on an approach closer to “art informel” and abstract expressionism. Simon Carroll’s work places itself firmly in the latter group; however the exuberance and eruptive force of his forms is always tempered by a thoughtful and affectionate reverence for the tradition and history of pottery, especially for 17th- and 18th Century slip-decorated Staffordshire wares.
Alexandra Lerman: Immediate Release / Tina Kim Gallery, New York May 1 - June 28, 2014
Tina Kim Gallery is pleased to present Alexandra Lerman’s first solo exhibition, Immediate Release.
A coincidence of the calendar becomes a critical frame. The first of May commemorates May Day, an ancient folk festival meant to awaken the wintering body through conviviality, dance, and song, also, International Workers’ Day, the 20th century’s concession to the solidarity of laboring bodies in almost every country of the world. The 1st of May saw the opening of Immediate Release, the new exhibition of multi-media artist Alexandra Lerman.
Transformation 9: Contemporary Works in Ceramics / Contemporary Craft, Pittsburgh April 25 - November 1, 2014
The Transformation series, one of the Society for Contemporary Craft’s signature programs, was established in 1997 as a biennial juried exhibition focusing on traditional craft media–glass, wood, metal, clay, and found materials–in rotation. The exhibition seeks out an international selection of artists redefining their medium to create work that is challenging and thought provoking; inviting us all to reconsider our notion of “craft.”
This year’s focus is on clay. Clay has been used, decorated, coveted, and collected for thousands of years, yet in the hands of contemporary artists this irresistible medium continues to surprise through innovative techniques, forms, and functions. Visitors are invited to see what happens when makers push the boundaries of time-honored craft materials—right before our eyes, something old is new again.
In conjunction with each Transformation exhibition, the jurors award the participating artist whose work best displays the tenets of excellence and innovation the Elizabeth R. Raphael Founder’s Prize. Named in honor of SCC’s founder, the award is accompanied by a $5000 cash prize.
Dual Natures in Ceramics: Eight Contemporary Artists from Korea / SFO Museum, San Francisco May 17, 2014 - February 22, 2015
“In modern art, as everyone knows, the beauty of deformity is very often emphasized, insisted upon. But how different is Korean deformity. The former is produced deliberately, the latter naturally. Korean work is merely the natural result of the artisan’s state of mind, which is free from dualistic man-made rules.” —Bernard Leach (1887–1979)
Renowned British studio potter Bernard Leach once acknowledged that Korean potters are admired for their naturalism and spontaneity in creating ceramics. Scholars have attempted to define the beauty of Korean ceramics as “artless art” or “unplanned plan.” Indeed, Korean ceramics have been produced by the second nature of matured, skilled hands, sometimes transcending any rules, knowledge, and intentions.
Inaugurating our new space at 1639 Market Street, Nathan Lynch will present a series of ceramic work which, like the gallery itself, recalls the past while grappling with an unsure future.
Motivated at first as homage to his late teacher Ken Price, Nathan Lynch’s abstract ceramic and wood sculptures make physical the difference between what we want and what we get. The work consists of abstract “blobjects” that appear to slump, sag, burst, drip, and ooze off of their platforms. Like a 4-day old helium balloon that is neither all the way up nor completely down, the forms hover in the layered emotions between elation, confusion, and disaster, suggesting the potential futility in even our best efforts.
Cross MacKenzie Gallery is pleased to present “SCORES” an exhibition of new ceramic sculpture and photographs by three artists whose work is based on repeating dozens or “scores” of elements to create something greater than the sum of their individual parts. Each artist’s work is full of repetitions, multiples, and variations of a seemingly simple form, built up to a greater whole, creating order out of disorder. Together, the pieces are in conversation with one another.