Body and Soul: New International Ceramics / MAD Museum, New York September 24, 2013 - March 2, 2014
In recent years, the human figure has returned to center stage in the work of artists around the world. Body & Soul: New International Ceramics underscores the power of the figure to convey strong emotions, and also to the accessibility of the ceramic medium. Through clay the figure becomes the catalyst for addressing the emotional impact of contemporary pressures that confront our society today. Each work, inspired by a personal incident or symbolic tale, expresses a deep emotional identity, contrasting societal, political, and personal views on themes such as anxiety, bias, mortality and memory.
Fired Earth, Woven Bamboo: Contemporary Japanese Ceramics and Bamboo Art / Museum of Fine Arts, Boston November 12, 2013 - September 8, 2014
The Museum of Fine Arts, Boston (MFA), presents Fired Earth, Woven Bamboo: Contemporary Japanese Ceramics and Bamboo Art, an exhibition that highlights the meticulous craftsmanship and highly creative sculptural forms of Japanese decorative arts. Among the first exhibitions to present contemporary ceramics alongside baskets, Fired Earth, Woven Bamboo offers an in-depth look at 60 objects created by dozens of leading artists based in Japan.
Each year,The National Centre for Craft and Design in Sleaford, Lincolnshire, UK selects work by the very best of the current year’s graduates from art colleges and universities all over the UK, and gives them the opportunity of exhibitingat the NCCD.
This year’s show explores the theme of function in objects. A range of high quality, visually striking artworks created by 18 specially selected graduates are on display. They demonstrate a diverse range of skills from fashion and jewellery to ceramics and automata.
Betty Woodman: CONTRO VERSIES CONTRO VERSIA / Gallery Diet, Miami an inaccurate history of painting and ceramics December 2, 2013 - January 1, 2014
Gallery Diet is delighted to announce a solo exhibition of new works by Betty Woodman: CONTRO VERSIES CONTRO VERSIA an inaccurate history of painting and ceramics. The exhibition, which opens December 2nd, 2013, gathers a body of 2D and 3D works produced over the past two years that continue Woodman’s evolving relationship with painting, the vase, and the history of ceramics. Over the past several years, the resurgence in ceramics, craft aesthetic, and abstraction has led audiences to earlier generations of practitioners. Often credited as the “godmother of American ceramics,” Woodman is considered one of the pioneers in bringing the vase out of the craft world and into the realm of high art. As Peter Schjeldahl wrote of Woodman’s solo exhibition at The Metropolitan Museum of Art, “she is beyond original, all the way to sui generis. She has been well known in art circles since the 1970s, when her work was associated (incorrectly but advantageously, given the art world’s chronic disdain for anything that smacks of ‘craft’) with a briefly fashionable movement called Pattern and Decoration.”
Yô Akiyama exhibition / ARTCOURT Gallery, Osaka, Japan December 3, 2013 - January 25, 2014
Yo Akiyama established his signature style of sculptural ceramic creation while still in school. His creative mind lies beneath the awareness by facing the nature and energy of clay, expressed through large scale works. We are excited to introduce Akiyama’s new works in this exhibition showcasing the roots, that is the artery of Akiyama’s powerful creation as well as Akiyama’s now as his next step in his career.
Uku Rere: Nga Kaihanga Uku and beyond / Whangarei Art Museum, New Zeeland November 11, 2013 - February 16, 2014
Whangarei Art Museum is the first venue to host this ground-breaking touring exhibition after a highly successful show at Pataka Art+Museum in partnership with Toi Maori. Uku Rere features contemporary ceramics by the five principal members of Nga Kaihanga Uku: Baye Riddell, Manos Nathan, Colleen Urlich, Wi Taepa and Paerau Corneal. Both Colleen Urlich and Manos Nathan are from the Te Tai Tokerau region and this important exhibition is the first major survey of contemporary Maori ceramics and showcases the strength of Maori ceramic art in New Zealand’s contemporary art scene.
Mud and Water exhibition / Rokeby Gallery, London December 16, 2013 - March 7, 2014
ROKEBY‘s inaugural exhibition in its new gallery space looks to the history of British studio ceramics and the Modernist rhetoric used by figures associated with the movement. Including work by a selection of British Studio Potters alongside contemporary artists working across media, the exhibition investigates a current interest in process, materiality and truthfulness to medium.
RoHYPERCLAY: Contemporary Ceramics investigates the field of ceramics, focusing on new attitudes, techniques and technologies that are being embraced by artists in the 21st century. Walter Auer, Roderick Bamford, Stephen Bird, Jacqueline Clayton, Andrea Hylands, Addison Marshall, Pip McManus and Paul Wood all ignite the imagination with the potential of clay through their work. As the prefix ‘hyper’ suggests, HYPERCLAY presents clay-based work where the medium has been amplified, extended and intensified to produce work that will delight, provoke and surprise. New technologies, the process of making, and the re-purposing of materials to create new forms are the delicate threads that bind the works in HYPERCLAY together.
Craftsmanship in Ceramics, Jewellery, Basketry and Wood / Oxford Ceramics Gallery, Oxford, UK December 1, 2013 - January 12, 2014
Oxford Ceramics is staging its first exhibition of contemporary applied art in December, with ceramics, wood, basketry and jewellery by some of the UK’s most distinguished artists. The exhibition celebrates the richness and diversity of their work, as well as a shared quality of fine craftsmanship.
Ukrainian Institute of Modern Art in Chicago (UIMA) presents the exhibition Ceramics / Glass. This exhibit focuses on the medium of ceramic or glass in contemporary art – mediums that require high temperatures, special tools, kilns and specialized studios. UIMA has selected some distinctive personal styles from numerous glass / ceramics studios in Chicago and from artists working in national and international cities.
Esencia 2013 by Sanserif Creatius: Japanese and Valencian Craftsmanship / Valencia, Spain November 28, 2013 - February 28, 2014
The second edition of the Esencia project is inspired by the reflection of Japanese craftsmanship in the Valencian one and coordinated by Sanserif’s team of designers who worked together with 20 artisans from Alicante, Castellon and Valencia. The aim of this exhibition is to update the image of craftsmanship through the development of a heterogeneous universe of objects that transmit contemporary messages and meet the needs of contemporary society, by the use of traditional techniques and processes.
Susanne Silvertant / Terra Delft Gallery, Delft, the Netherlands November 30 - December 31, 2013
Connection is one of the most important themes of Susanne Silvertant’s work. Art is a language for her. With her art she tries to communicate and show who she is. This vision is enhanced by scratching signs in some of her pieces. Signs refer to language that cannot be understood instantly. This is the most intense way of expressing herself.
Keisho-Ha - A New Materialism and the Yufuku Aesthetic / Yufuku Gallery, Tokyo December 5-21, 2013
Contemporary Japanese art in the 21st century is heading in a new and unique direction. Artists are using traditional techniques to create not craft, but objects of self-expression that are very much a type of sculpture that can change space itself. Such artists are pushing the boundaries of their respective mediums to new heights, using new techniques and materials that have not been used before.
Kerry Jameson’s new sculptures have an emotional charge that is presented through a mix of narrative set pieces, tableaux and individual figures. Subjects include historical events and the exploits of folkloric and storybook characters. She derives inspiration from an equally eclectic range of sources, which include portrait paintings, the figures of British myth such as the Burryman and Wicker Man, the work of animator Ray Harryhausen, a fascination with the polychrome religious sculptures of 17th century Spain and the toy collections of the Bethnal Green Museum of Childhood. She explains: ‘A work starts with a thought or feeling, an undigested experience that needs to be worked through.’