Francesco Ardini: Porcelain Skin, 2012, Porcelain mixed with paper, Organic reagent, Plastic structure with tie rods, 1300°C
Francesco Ardini: Blue Proliferation, 2012, Ceramic, White and electric blue matt glaze 990°C, Vase H75 cm.
Contemporary Ceramics / Stremmel Gallery, Reno, Nevada
September 20 – October 20, 2012
Opening reception: Thursday, September 20, 5.30 – 7.30 pm.
Stremmel Gallery will host an opening reception for “Contemporary Ceramics,” an exhibition of work by 18 contemporary ceramic artists hailing from the western United States, Thursday, September 20, from 5:30 to 7:30 p.m. This eclectic and wide-ranging group represents a dynamic and diverse approach to the tradition of functional and non-functional ceramics.
Montana ceramicist Rudy Autio is best known for his figurative ceramic vessels. He was a founding resident artist of the Archie Bray Foundation for the Ceramic Arts in Helena, Montana.
Reno-based artist Rebekah Bogard employs fictional animals in her artwork as a means of exploring the narrative and history of her life. She has received numerous awards, including being named an “Emerging Artist” by both the National Council on Education for the Ceramic Arts and Ceramics Monthly Magazine.
A familiar face to Stremmel Gallery, Robert Brady’s unique style and imagery represents the morphing of a personal lexicon of graphic symbols with color, revealing a whimsical sense of humor, energetic process and primitive mixture of materials. His work has been featured in galleries and museums across the country.
Josh DeWeese’s inspiration stems from how pots can be used as a means of bringing art into our lives. His pottery serves a multitude of purposes: comfortable to use, enjoyable to look at, and interesting to think about.
An artist whose history with clay spans more than 30 years, Robert Harrison creates birdhouses with Oriental elements. Focusing on architectural concepts, his pieces are more intimate, allowing for an intensified level of exploration.
Susie Ketchum creates detailed, hand-painted ceramics illustrated with iconic and abstract designs. Like Mexican folk art, her images are playful, with underlying themes of life and death.
Montana-based artist Steven Young Lee’s work investigates the process of recognition - how as individuals, we draw realities based on experiences and our environment. He plays on preconceptions related to numbers, superstitions, symbolism, and identity that are universal, yet particular to specific cultures.
Gustaf Nordenskiöld exhibition / Galerie NeC, Hong Kong
August 24 - September 29, 2012
Opening: Thursday, August 23, from 6 pm.
Gustaf Nordenskiölds ceramic work deals with issues about functionality, primitivism, natural forces, and perceptible method. He is exploring the field between design, crafts, arts and industrial production.
The exhibition consists of new museum collections, post production, the assembly of pre-existing and newly manufactured items, and works transformed to form new en-sembles. The exhibition presents ambivalent ceramic works, virgin archaeological objects of unknown origin that expresses beauty in the making, or in disrepair.
"My intention is to create works in which the methods are a prerequisite for the final result, where traces of the process remains in the finished work.
To freeze a moment for posterity. To preserve and display an action. What is worth preserving? Methods where the finished objects conveys trace of effort, different movement patterns or natural deformation/formation.”
Traces, as a memory of its creation, Gustaf Nordenskiöld, 2012.
In partnership with the Consulate General of Sweden, Hong Kong.
Gallery Hours: Monday to Saturday, 11 am - 8 pm. Sunday, 1 - 6 pm.
The Third Annual Ceramics of America 2012: Exhibition and Art Fair at Fort Mason, San Francisco, California, USA
14-16 September, 2012
Opening Reception and Preview Party: September 13, 2012, 5:30 – 9 pm
Witness A Unique Experience: Ceramic Sculpture from Around the World
The Ceramics Annual of America (CAA) is an ambitious exhibition and art fair spotlighting the quality and diversity of contemporary ceramics from around the world including works from China, Korea, Mexico, Australia and Italy. It is the only event of its kind in the United States and the goal is to encourage the education and enrichment of the public, cultivate a fertile art market, and foster dialog between collectors and makers of ceramic sculpture.
Part of California’s continuing legacy of excellence and innovation in ceramics, the CAA is the largest exhibition and art fair that is entirely focused on ceramic art in America and is modeled after the Ceramic Biennials held in Europe, Korea, Japan and China. It provides a venue for the top regional and international artists from working in the clay medium to show their work to a broader audience of collectors.
The CAA is organized by the California Ceramics Cooperative, a group of invested regional ceramic artists, and will feature panel discussions, lectures, tours as well as daily interactive art demonstrations from 4-5 that will provide a greater understanding of the artistic process for students and educators alike. Schools located in the Bay Area will have free admission all day Friday and should contact the Ceramics Annual for Reservations. Featured artist and instructor Kevin Nierman, author of “The Kids ‘N’ Clay Ceramics Book,” will provide “Artistic childcare” on Saturday and Sunday from 11-3.
The exhibition will be held in the 50,000 square ft. Festival Hall at Ft. Mason, capable of accommodating as many as 10,000 people. A popular attraction for countless national and international visitors to the city, Ft. Mason still resonates with the presence of the California Funk movement of the sixties and seventies that inspired ceramic greats living in San Francisco today. Its close proximity to nature, unique architecture and nostalgic atmosphere contribute a breathtaking backdrop for an impressive array of Ceramic Sculptures.
Last years event was a huge success with over 7,000 people in attendance. The museum quality exhibition included educational lectures by curators such as Peter Selz and Phil Linhares and renowned artists such as Jim Melchert. “The size and scale of such an exhibition and the education opportunities, all under one roof, were extraordinary.” — Art Historian, Peter Selz.
CHANGE Exhibition / Ceramic Centre Furnace Pagliero, Castellamonte, Italy
28 July - 7 October, 2012
Change, an innovative title that wants to send a strong message about the communicative potential of ceramics in contemporary art world. The objective is clear: it is Castellamonte, the city of stoves, together with the furnace Pagliero, the oldest factory in the suburb wisely restored by owner Daniel Chechi, now a center avant-garde cultural production and to send a new message on the potential and the language of contemporary ceramics. A spirit of continuity with the past, but also breaking, where twelve artists invited to exhibit created specific works of great communicative power, which are fully included in the Olympus of contemporary art.
Artists: Silvia Calcagno, Terry Davies, Mariano Fuga, Gian Genta, Rita Miranda, Simone Negri, Brenno Fish, Jasmine Pignatelli, Franco Rampi, Paola Staccioli
Curator: Silvia Campese
The artists, selected as the most important names in art pottery, have identified a specific site within the architectural splendor of the furnace, creating the appropriate specific interventions designed for the site.
A separate section is devoted to the potter Savona Sandro Lorenzini, the author appreciated not only in Europe, which has made almost all the works shown in the Furnace Pagliero, invited by Daniele Chechi as an “artist in residence”.
The show joins “The metaphysical dream” by Giorgio de Chirico and Lisa Sotilis and “Figures of fire” by Bernard Aubertin, Elio Torrieri, Lilian Rita Callegari, and Umberto Mastroianni. A complex work, supported by the critical point of view by the Director of the International Museum of Applied Arts Today MIAAO, Enzo Biffi Gentili.
Jason Hackett: Pollinator, 2012, Ceramic, 9” x 9” x 3”
Wouter Dam exhibition / Galerie NeC, Hong Kong
28 June - 18 August, 2012
"The ceramic sculptures I make, do steadily develop along a clear line, this last group of sculptures here on show are slightly larger and with more unbroken circles incorporated into the sculpture, in this way slowly revealing more of its origins, the vase and bowl shape.
The sculptures are closed and curled on to itself and in this way, keeping more of it’s secret, enticing you to explore the almost hidden inside of the sculpture.
They are covered with a coloured engobe, the latest colours I have introduced are the soft pink, a light porcelain blue, and a grey tone. All these colours are specifically chosen to enhance the shape and to give a good contrast in between light and shade.
The sculptures are built up of elements made on the potterswheel, assembled when leatherhard, every one of them becoming a unique sculpture, although clearly belonging to the same family of shapes.
The sculptures are like drawing lines in space, making the clay seem weightless. The edges are refined and cut through the air in contrast to the soft voluminous exterior surfaces that bask in the light.” Wouter Dam, 2012
Gallery Hours: Monday to Saturday, 11 am - 8 pm. Sunday 1 pm - 6 pm.
Patricia Sannit: Apollo column, 2011, 30”x12”x12”, cast, carved and incised found and reclaimed clays, slip and stain
Patricia Sannit: Earth Orbit, 2010, 10”x9”x11”, cast, carved and incised found and reclaimed clays, slip and stain