• About us
  • Magazine
  • Submissions
  • Advertise your event
  • Contact
Monday, October 26, 2026
No Result
View All Result
Ceramics Now
Subscribe now
  • News
  • Artist profiles
  • Articles
  • Exhibitions
  • Ceramic art
  • Interviews
  • Resources
    • Open call for ceramic artists
    • 2026 Ceramics Calendar
    • Ceramics Now Weekly
    • Ceramics job board
    • Pottery classes
Ceramics Now
  • News
  • Artist profiles
  • Articles
  • Exhibitions
  • Ceramic art
  • Interviews
  • Resources
    • Open call for ceramic artists
    • 2026 Ceramics Calendar
    • Ceramics Now Weekly
    • Ceramics job board
    • Pottery classes
No Result
View All Result
Ceramics Now
Home Archive

Vitor Reis: Perverting tradition

September 30, 2014
in Archive, Ceramic art
Vitor Reis: Perverting tradition

Vitor Reis: These works relate to some popular Portuguese native customs. The aim is to appropriate those customs and refresh them by creating new relations. Those new relations intend to create experiences and criticism of our present time.

Mountain, 2012, White clay, glaze and wood, 30 x 18 x 15 cm.

This work is based in the traditional representation of the Caldas da Rainha phallus. The piece is composed of many little representations of crammed phalluses. In a first look, they look like candies, but after a closer look the shapes start to define themselves.

Mangericús, 2014, White clay, glaze and paper with poems, 10 x 6 x 6 cm.

This work is particularly difficult to describe because it is very connected to the Portuguese language itself and acts almost like a “private joke”. Mangerico it is a very typical Portuguese plant, always present in folk celebrations. But when I named it “Mangericú”, it became similar to “ass” — and that’s where it all starts. Also, the poems in each piece are about the same subject.

Monster dick, 2012, Refractory folder and glaze, 20 x 10 x 7 cm.

This work mixes the local representation of the phallus, with one of the most popular international and local legends: the Loch Ness Monster. The joke is that, similar to the Irish legend, this Portuguese phallus portrayal, still hides and emerges once in a while, but still, has never been something totally visible or accepted by the people.

Ghost, 2013, White clay and glaze, 30 x 20 x 18 cm.

This work has departed from the idea that before “1974 Portuguese revolution”, the local representations of phalluses were presented for customers in the traditional market covered with a piece of fabric. The intention was to hide the real object and to not hurt susceptibilities. The aim of this work is to remember this thought and attitude, revealing the old-fashioned mentality that still exists in Portugal.

Portuguese cock, 2013, Red clay and glaze, 13 x 10 x 8 cm.

I suppose everybody knows the Portuguese icon “Galo de Barcelos” — a beautiful cock with feathers, a strong head and crest. Because the lately weak and difficult Portuguese political and social situation, I had represented the Portuguese cock as a chicken, without feathers and with no head.

Tags: ArtArtworksCeramic artCeramicsContemporary artContemporary ceramicsPortuguese artPortuguese ceramicsTraditionsVitor ReisVitor Reis Ceramics

Ceramics Now is a reader-supported publication.
If you enjoy reading, consider subscribing and becoming a member of our community. You'll receive instant access to Ceramics Now Magazine:

Related Posts

Sami Tsang ceramics
Ceramic art

Sami Tsang: Selected works, 2022-2026

October 26, 2026
Lydia SooJin Park ceramics
Ceramic art

Lydia SooJin Park: Selected works, 2021-2026

October 19, 2026
Anemoon On Fire ceramics
Ceramic art

Anemoon On Fire: Selected works, 2022-2026

October 16, 2026
Bianca MacPherson ceramic artist
Ceramic art

Bianca MacPherson: Selected works, 2025-2026

October 7, 2026

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *





Latest Artist Profiles

Sami Tsang ceramics
Artists

Sami Tsang

October 26, 2026
Lydia SooJin Park ceramics
Artists

Lydia SooJin Park

October 19, 2026
Anemoon On Fire ceramics
Artists

Anemoon On Fire

October 16, 2026
Bianca MacPherson ceramic artist
Artists

Bianca MacPherson

October 7, 2026

Latest Articles

Ceramics at Musée des Arts décoratifs et du Design de Bordeaux
Articles

Ceramics, Sensitive Bodies (Céramiques, corps sensibles)

by
October 26, 2026
Officine Saffi Award 6
Articles

Twenty-Eight Forms of Belonging: The 6th Officine Saffi Award

by
October 19, 2026
Edmund de Waal
Articles

Edmund de Waal’s rain diary and the afterlife of the vessel

by
October 2, 2026
Roxanne Jackson ceramic art
Articles

Roxanne Jackson: Ovum at The Pit, Los Angeles

by
October 1, 2026
Instagram Facebook LinkedIn
Ceramics Now

Ceramics Now is a leading independent art publication specialized in contemporary ceramics. Since 2010, we promote and document contemporary ceramic art and empower artists working with ceramics.

Pages

  • About us
  • Magazine
  • Submissions
  • Advertise your eventNEW
  • Contact

Subscribe to Ceramics Now Magazine

Join a vibrant community of over 35,000 readers and gain access to in-depth articles, essays, reviews, exclusive news, and critical reflections on contemporary ceramics.

SUBSCRIBE TODAY

© 2010-2026 Ceramics Now - Inspiring the next generation of ceramic artists.

  • Subscribe to Ceramics Now
  • News
  • Artist profiles
  • Articles
  • Exhibitions
  • Ceramic art
  • Interviews
  • Resources
    • Open call for ceramic artists
    • Ceramics Now Weekly
    • Ceramics Calendar 2026
    • Ceramics job board
    • Pottery classes
  • About us
    • Ceramics Now Magazine
    • Submissions
    • Advertise your event
  • Contact
No Result
View All Result

© 2010-2026 Ceramics Now - Inspiring the next generation of ceramic artists.