Brian Kakas, Tectonic Perceptions #3 – Hull Improv, 29 H x 22 W x 26 L in.
Tectonic Perceptions #1 – Nautilus Improv, 32 H x 24 W x 27 L in. 
Tectonic Perceptions #1 – Nautilus Improv, 32 H x 24 W x 27 L in. 
Tectonic Perceptions #1 – Nautilus Improv, 32 H x 24 W x 27 L in. 
Tectonic Perceptions #2 – Hull Improv, 29 H x 22 W x 26 L in. 
Tectonic Perceptions #2 – Hull Improv, 29 H x 22 W x 26 L in. 
Tectonic Perceptions #2 – Hull Improv, 29 H x 22 W x 26 L in. 
Tectonic Perceptions #3 – Hull Improv, 29 H x 22 W x 26 L in. 
Tectonic Perceptions #3 – Hull Improv, 29 H x 22 W x 26 L in. 
Tectonic Perceptions #3 – Hull Improv, 29 H x 22 W x 26 L in.
Brian Kakas: Tectonic Perceptions, 2011
Applying the methodologies of art, architecture, science and technology to ceramic design, I seek to create a “new nature” in the structural design of ceramic objects. Poetic forms with a mathematical foundation; these ceramic sculptures reference structural architectural design and mathematical theories including systems of growth, pattern and dimension.
During a residency at Gaya Ceramic Design Center, Tectonic Perceptions explored atmospheric glazing methods and the development of surfaces through high temperature wood firing. Locally harvested materials (rice hulls) were added to expand surface treatments with slips and organic material burn-out prior to glaze firing. Final surfaces were achieved through a 7-day long Anagama kiln that used local hard woods such as jack fruit, coffee, mango and papaya; colors were achieved through sustained periods of heavy reduction and soaks at high temperatures for extended periods of time.
Work details: Handbuilt, Slump/Drape Molds, Anagama Fired, Cone 12
