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Home Ceramic art

Marc Leuthold: Selected works

November 3, 2020
in Ceramic art
  • Elizabeth Black and White, porcelain, 14 inch tall
  • After Vizner, detail
  • After Vizner, reverse
  • After Vizner, translucent porcelain, 6 inches diam
  • Acretions, porcleain, 2 inches each
  • Alan, detail
  • Alan, glazed stoneware, 22 inches wide
  • Audrey Hepburn, Hand with Bi glazed porcelain, 12 inches tall
  • Centaur, 20 inches
  • Centaur, verso
  • Chrysalis, detail
  • Dark Side of the Moon, 17 inches
  • Dark Side of the Moon, 2019, ceramic, 13 inches diam. Photo by Eva Heyd
  • Ecstacy of St Theresa, glazed earthenware, 31 inches wide
  • Ecstacy of St Theresa, detail
  • Ecstacy of St Theresa, detail
  • Impeach, 2019, ceramic, 20 inches. Photo by Eva Heyd
  • Dragon Claws, 9 inches
  • Four Dragon Claws, 9 inches
  • Inge (Taiwan) at Throckmorton
  • Intersection, porcelain, 15 inches
  • Market, glazed stoneware, 14 inches diam
  • Evelyne, marblized stoneware and porcelain, 20 inches wide
  • Nike, wood fired ceramic, 30 wide
  • Pagoda interior, porcelain
  • Olsen Bi, wood fired porcelain, 6 inches diam
  • Peach Tree, detail
  • Peach Tree, glazed porcelain, 6 inches tall
  • Red and Green, glazed ceramic, 8 inches tall
  • Red and Green, glazed ceramic, 8 inches tall, verso
  • Smoke, glazed, porcelain, 18 inches tall
  • Smoke, glazed, porcelain, reverse
  • Split Bowl, detail
  • Split Bowl, glazed porcelain, 7 inches diam
  • Split Bowl, glazed porcelain, 7 inches diam
  • Tangle 3, jade porcelain, 3 inches
  • Tangles, jade porcelain
  • Tangles orange and green for Throckmorton, 3 inches each
  • Three Waves, handmade paper, 10 inches tall
  • Toast, detail
  • Toast, wood fired ceramic, 18 inches wide
  • Translucence, porcelain, 8 inches diam
  • Translucence, reverse

Marc Leuthold: Selected works, 2016-2020

Most often, I make sculptures from clay, discrete objects that I exhibit sometimes singularly and sometimes in dialogue with one another in installation environments. In these environments, I often incorporate other media such as wood, glass, paper, bronze, and literary texts. The installations are the more overtly conceptual works often referencing social justice concerns – sometimes within a context of relational aesthetics.

Many of the sculptures refuse to plainly identify themselves. While their identities may be unnamable, they are distinct, composite forms suggesting transition: temporal, cultural, male and female, nature, and artifice.

Through the medium and processes of clay, there is a play between the soft and hard, fluid, and crystalline. An element of surprise occurs in the studio, sometimes yielding unexpected forms, surfaces, and colors. This leads to re-invention, experimentation, and openness. By harnessing this sense of chance within the practice, I explore new directions. Even when repeated, forms are inherently unrepeatable.

Tags: Ceramic artContemporary ceramicsMarc Leuthold

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