• About us
  • Magazine
  • Submissions
  • Advertise
  • Contact
Tuesday, July 28, 2026
No Result
View All Result
Ceramics Now
Subscribe now
  • News
  • Artist profiles
  • Articles
  • Exhibitions
  • Ceramic art
  • Interviews
  • Resources
    • Open call for ceramic artists
    • 2026 Ceramics Calendar
    • Ceramics Now Weekly
    • Ceramics job board
    • Pottery classes
Ceramics Now
  • News
  • Artist profiles
  • Articles
  • Exhibitions
  • Ceramic art
  • Interviews
  • Resources
    • Open call for ceramic artists
    • 2026 Ceramics Calendar
    • Ceramics Now Weekly
    • Ceramics job board
    • Pottery classes
No Result
View All Result
Ceramics Now
Home Exhibitions

Camila Capra: punto de encuentro (meeting point) at Abra Espacio, San José

April 22, 2026
in Exhibitions
19 de mayo de 1968, 2026
19 de mayo de 1968, 2026
Cartas para una misma, 2026
Cartas para una misma, 2026
Desborde, 2026
Desborde, 2026
Desborde, 2026
Las palabras de mi abuela, 2026
Las palabras de mi abuela, 2026
Las palabras de mi abuela, 2026
Permitase llegar permitase ablandar, 2026
Peso heredado, 2026
Punto en el aire, 2026
Quehacer, 2026
Relicario de secretos, 2026

Camila Capra: punto de encuentro (meeting point) is on view at Abra Espacio, San José

February 19, 2026 – May 2, 2026

Abra is pleased to present punto de encuentro, an exhibition of new work by Costa Rican artist Camila Capra. This is Camila’s first show in the space and her second solo exhibition overall. In this series, Capra uses ceramics to explore family history as a space of convergence between unveiling and concealment.

For over a decade, Capra has dedicated herself to honing her skills with clay, exploring its technical nuances and pushing the material’s boundaries. Her artistic practice, which is a more recent endeavor, centers on hand-built sculptures that consider the affective qualities of the objects that surround us. She often revisits the home as a conceptual framework, exploring themes such as memory, identity and personal history. Through pieces whose tangibility is undeniable, emphasized by exquisite texture and detail, she has built a dreamlike and nostalgic body of work, populated with symbols that shape her imagination of specific spaces, both physical and emotional. Her characteristic use of unglazed ceramics highlights the material’s capacity to hold corporeal memory and stand as an emblem between fragility and permanence.

punto de encuentro is rooted in the emotional weight of an intimate confession from the artist’s maternal grandmother. After keeping it secret for 50 years, she disclosed to Capra that she had written and published reflections in the newspaper under the pseudonym “Vértice” (Spanish for vertex), which she described as a “meeting point.” Drawing on this guarded gesture, Capra’s pieces engage with the hidden, the inherited, the shared, and the unspoken; the written word composed in silence, kept for oneself.

The translation of recognizable objects —such as a desk, a book, a hanger, a pile of papers and a tassel— into ceramics reminds us that what we see is not always what we think. Stripped of their expected function, it is in their detail and subtlety that the invitation to pause and soften emerges. Her objects transcend figuration, conveying a sense of protection: everything seems to preserve something precious, only partially revealed.

The viewer encounters a carefully guarded world: they can’t read the book, discern the contents of a relic-like safebox, or know what the implied bag holds. Access to this symbolic space is intentionally limited, creating a personal and protected realm where the recollection of her grandmother’s voice can quietly inhabit and resonate.

In this sense, the exhibition is deeply evocative. It stems from a specific family narrative but seeks to expand the imagination toward broader territories. Ceramics give the artist great freedom to explore the interplay of personal memory, agency, and the feminine. It situates her reflection within a material that contains traces of past gestures, allowing the narrative to take form and occupy space. punto de encuentro is an exercise in remembrance, recovery, and retelling, with all the speculation and imagination that such act entails.

Camila Capra (San José, Costa Rica, 1992) is a visual artist based in the Netherlands. Her practice, centered on ceramics, explores the human experience through the relationship between subject, object, and space, engaging with themes such as identity, memory, grief, and the passage of time. By working with a material marked by the memory of bodily gesture, process becomes a central axis of her work, with particular attention to failures and moments of rupture as sites of transformation.

Camila holds a Master’s degree from Design Academy Eindhoven (2022), where she received the Best Thesis Award, and a Bachelor of Fine Arts with honors from Parsons School of Design (2015). She has presented her work in solo exhibitions in San José, Costa Rica, and in group exhibitions in Eindhoven, the Netherlands; Mexico City, Mexico; and Toronto, Canada. Her work has also been featured by Materia Press.

Contact
info@abraespacio.org
Instagram: @abra.espacio

Abra Espacio
Piso 5, Condominio Las Américas
San José
Costa Rica

Photo credit: Juan Tribaldos

Tags: Abra EspacioCamila Capra

Related Posts

Xanthe Somers ceramics
Exhibitions

Xanthe Somers & Yacout Hamdouch: Poetic Threads | Spotlight: James Barnor at October Gallery, London

July 28, 2026
Anna Maria Maiolino ceramics
Exhibitions

Anna Maria Maiolino: Poetic Earth at MAAT – Museum of Art, Architecture and Technology, Lisbon

July 27, 2026
Fractured Foundations AMOCA
Exhibitions

Fractured Foundations: 250 Years of American History at the American Museum of Ceramic Art

July 21, 2026
Anna Milczanowska ceramics
Exhibitions

Anna Milczanowska: Blooming. A Story About Earth at Craftica Gallery, Warsaw

July 17, 2026

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *






Latest Artist Profiles

Jihyun Kim ceramics
Artists

Jihyun Kim

July 2, 2026
Margaux Vié ceramics
Artists

Margaux Vié

June 25, 2026
Magdolene Dykstra ceramics
Artists

Magdolene Dykstra

June 24, 2026
Chryssa Kotoula ceramics
Artists

Chryssa Kotoula

June 19, 2026

Latest Articles

Where Form Meets the Boundless
Articles

Where Form Meets the Boundless

by Ceramics Now
July 27, 2026
Julia Ellen Lancaster ceramics
Articles

Phantasms and Frequencies: liminal sculptures by Julia Ellen Lancaster

by Ceramics Now
July 24, 2026
Gyeonggi Ceramics Biennale
Articles

Gyeonggi Ceramics Biennale 2026: Earth Makes

by Ceramics Now
July 13, 2026
Vessel Sculpture 4 at the GRASSI Museum of Applied Arts
Articles

Exploring the dialogue between vessel and sculpture: The GEFÄSS / SKULPTUR 4 Exhibition

by Ceramics Now
June 26, 2026
Instagram Facebook LinkedIn
Ceramics Now

Ceramics Now is a leading independent art publication specialized in contemporary ceramics. Since 2010, we promote and document contemporary ceramic art and empower artists working with ceramics.

Pages

  • About us
  • Magazine
  • Submissions
  • Advertise
  • Contact

Subscribe to Ceramics Now Magazine

Join a vibrant community of over 33,000 readers and gain access to in-depth articles, essays, reviews, exclusive news, and critical reflections on contemporary ceramics.

SUBSCRIBE TODAY

© 2010-2026 Ceramics Now - Inspiring the next generation of ceramic artists.

  • Subscribe to Ceramics Now
  • News
  • Artist profiles
  • Articles
  • Exhibitions
  • Ceramic art
  • Interviews
  • Resources
    • Open call for ceramic artists
    • Ceramics Now Weekly
    • Ceramics Calendar 2026
    • Ceramics job board
    • Pottery classes
  • About us
    • Ceramics Now Magazine
    • Submissions
    • Advertise with Ceramics Now
  • Contact
No Result
View All Result

© 2010-2026 Ceramics Now - Inspiring the next generation of ceramic artists.