In my recent works I use ceramic sculptures to investigate the elements of ambiguity and dynamic of opposites. Ambiguity is express by the contrast between appearance and reality. Looking at the precise shapes that enclose and contain space gives the impression of solid and massive bodies when they are in fact, surprisingly light and delicate.
The dynamic of opposite is express in a way that juxtaposes the precise and controlled building and graphic design of the ceramic work the unpredictable firing technique of “Naked Raku”.
In these works I’m dealing with issues such as tensions between polarities, with fragmentation and constructions and with illusions. These concepts are guidelines for my treatment of space in the context of surface-volume relationships. The division of the body surface between white and black, as well as the use of lines softens the shape, simultaneously placing the grid or lines on the edge of the shape, so that they follow the shape, completely dissolve the hard lines. Viewing from different angles, surface and volume are blurred, giving an illusion of flatness.
This idea is strengthened and extended by working with pairs or creating a composition of a few units, where new volumes and planes are achieved by way of the lines or grid are virtually joined; the ratio of parts to the whole is changing and two and three dimensions are played against each other in a sophisticated manner.
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