Interview with ceramic artist Carole Epp - Artist of the month, April 2011
Carole Epp: Since I create more than one line of work, I’m afraid this will be a long answer! I have for a long time maintained both a sculptural and a functional line of ceramic objects.
My sculptural work incorporates hand built and slip cast components; found objects, and constructed objects of various materials (most often wood). Through hand building and slip-casting the clay form is developed. I then use underglazes, engobes and China Paints to decorate the work.
My functional line of objects varies in terms of techniques all the time. I will sometimes throw porcelain, or hand build dark mid temperature clays, or slipcast forms. This is a process for me in which I aim to simply have fun, explore technique, and ideally constantly evolve. I love throwing with porcelain (Southern Ice in particular). My aesthetic leans towards more crisp bright white objects with a bit of color added through glaze or underglazes. Lately I’ve been developing a body of work that is inspired by my young son. I’ve been stamping and drawing (scraffito) a lot of cute imagery on my work. Surprisingly this work has been incredibly rewarding in that it simply brings joy and smiles to me as I make it, and to those that use it.
She felt like a joke and was falling a part at the seams, 2011, Mid-fired white stoneware, underglaze, china paint - View her works
What is your present project, what’s its history and how do you make the pieces?
My present project is a series of figurative sculptures that reference kitsch figurines, lowbrow art, DIY culture, and popular/ western/ consumer culture. Drawing from very personal narratives the work is an investigation into the human condition presenting figurative tableaus of death and love, hope and failure, family and social pressures. The aim of my work is always to stimulate conversation, thought and action in a pro-active method. I desire to address issues of political, social, humanitarian concern. Issues are taken from contemporary media, but addressed through my own personal voice.
I have been working on this type of work for over six years now. There is always new subject matter to develop, more dialogues to be presented and discussed, new imagery that floats into my mind. As life changes, this body of work changes for me.