Interview with Liliana Folta

Interview with Liliana Folta / Spotlight
By Ileana Surducan
Published in Ceramics Now Magazine Issue 2

What sparked your interest for ceramics?

I was in college taking painting classes and I wanted to learn sculpture. One day I stopped by the sculpture lab to ask the instructor if I could audit the class. She agreed and handed me a piece of clay. I was amazed at the work of the students. A retired engineer was making intriguing ceramic sculptures. The forms were powerful and provocative. At that moment I thought of how versatile and expressive clay could be to express both powerful and delicate ideas. It was, for me, the medium of infinite possibilities.
Immediately my brain had an explosion of ideas. I fell in love. I realized I could create 3D from some ideas of my paintings. In fact, I ended up sculpting so many pieces during the class that The Art Department awarded me a grant to do a whole semester and also the first solo show ever done by a student in the college.

Liliana Folta Ceramics - An Abstract Poem of Freedom

Liliana Folta: An Abstract Poem of Freedom (detail), 2009, on going traveling/interaction/installation.
> View more works by Liliana Folta

Besides ceramic art, you have also created paintings and murals in order to express your inner universe. How does working in three dimensions change your creative process? Do the processes differ a lot between these mediums?

When I work in 3D, the process of creativity is more fluent, very spontaneous and I can communicate with feelings that I didn’t know I possessed until I felt them in my hands. I can transform them into something visual for others to see. It is a natural process, born of my subconscious. Back in my childhood, I recall helping my father in the garden and end up making objects with mud.

In my paintings, it’s me: my surroundings, my past and present, something very personal and intimate expressed through a different tactile experience.
As with murals, most of them have been collaborative works I’ve done with students at schools. The first one I made came out of the blue. A friend asked me for ideas on what to do with a wall where the tiles had been removed. I had the idea to teach the students about mural making and the importance of recycling material to make art. That’s how the first mural was born.

You express yourself freely using clay. What are the main materials and ceramic techniques that you use?

I like to experiment, so I have been using different kind of clay, such as stoneware, low and mid-fire with glazes and oxides. When I do mixed media, especially installations, I like to integrate other materials like metal, found objects and fresh water pearls. I use handmade techniques from slab, clay relief, and impressed texture to carving.


Your past experience and your personal history seem to be an important source of inspiration for you. Tell us more about the symbolism of your work.

Maybe that’s why I work in different mediums; I am much better expressing my self visually. Sometimes an image will stay with me and I am compelled to paint or sculpt it. Much later, I will realize that these images have a much deeper significance to me, one that transcends the visual. These images become symbols of social-political issues that are at the core of my world views and concerns. For example in the ceramic chains installation, the chains remain unconnected and loose, which symbolizes the right of freedom of the individual; regardless of religion, race, country, and gender. Freedom of expression is something that we, as humans should never have to give up.

Many of your works have an intrinsic femininity. How does being a female artist influence the themes and the ideas you choose to represent?

My themes and ideas begin with personal experiences, past, present, as well as everything that surrounds me: people, places and objects. Sometimes stories interact with different characters in different circumstances. I also like to create surreal landscapes for them.

The white flowers I used in the “Warrior’s Series”, are images from my bank of memories of my father’s garden; he used to mix the flowers in the vegetable garden, which was my play yard during my childhood. “After Chaos”, a woman sleeps peacefully. She is able to find tranquility because she is surrounded by “white warrior flowers” - deceptively frail, and yet possessing all of the strength of memories, nature and the power of womanhood. These flowers guard her as she rests before facing whatever trials the day may bring to her.

You come from Argentina, and you define yourself as a Latin American artist. How does your cultural heritage reflects in your creative experience?

My Latin American roots inform my work. I was born in Argentina, my parents were immigrants of the World War II, and so my back ground tradition at home had a strong European flavor. Even so, I grew up proud for the country that welcomed my parents and the country they taught me to love. Moreover, I am also married to a Puerto Rican man, my son was born on the island too and we spent many years there. This is yet another passage in my life, where the colors and details are reflected more in my paintings than in my ceramics. So you see, my cultural heritage is a potpourri of different tradition and experiences, and everything is reflected in my art.

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Liliana Folta exhibition / Amazing Things Art Center, Framingham, MA

Liliana Folta exhibition, Amazing Things Art Center, Framingham

Liliana Folta exhibition / Amazing Things Art Center, Framingham, MA
September 27 - October 28, 2012

Opening reception and Artist talk: October 4, 7-9 pm.

Liliana Folta is a Latin American multidisciplinary artist. Born in Buenos Aires, Argentina, she lives and works in Boston, Massachusetts.

"The potential ability of the imagination has an important impact in our lives. Minds have visual images that we collect through our lives.

These inner-images that represent my works are examinations of my existence. However, in this bank of memories I cherish every possible emotion; happiness, growing pains, family loss, first love, motherhood, sexuality, multicultural experiences, frustration, society’s rules and most importantly the celebration of life.

As an artist I like to work with different mediums especially acrylic paintings and ceramic sculptures. For the past few years I have been experimenting with mixed media installation. The freedom of expanding my work in another dimension makes me feel more connected with the viewers.

The process of my work mostly is very spontaneous; the rest comes along with what my subconscious has been saving in my bank of memories, throughout my life and the happening of the moment.”

Exhibition in collaboration with Mike Vickers (Light effects) and Gustavo Jiménez (Experimental sounds).
Curator: Olga Shmuylovich.

Liliana Fonta’s works are in several private and public collections in the United States, Puerto Rico, Argentina, Australia, Spain, Poland, Museum of Contemporary Ceramics - Dominican Republic, Ku Art Center - Beijing.

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Liliana Folta

Liliana Folta Contemporary Latin American Ceramics

Liliana Folta's profile on Ceramics Now Magazine - View her works

“The potential ability of the imagination has an important impact in our lives.  Minds have visual images that we collect through our lives.

These inner-images that represent my works are examinations of my existence. However, in this bank of memories I cherish every possible emotion; happiness, growing pains, family loss, first love, motherhood, sexuality, multicultural experiences, frustration, social-political issues and most importantly the celebration of life.

As an artist I like to work with different mediums, especially ceramics and acrylic paintings. Lately I have been experimenting with ceramic installations and mixed media. The freedom of expanding my work in another dimension makes me feel more connected with the viewers.
The process of my work mostly is very spontaneous. The rest comes along with what my subconscious has been saving in my bank of memories, throughout my life and the happening of the moment.” Liliana Folta

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Liliana Folta: An Abstract Poem of Freedom, 2009, (on going) traveling/interaction/installation: ceramic chain, bullets & bowl; white gesso, ink, wooden chair, white sheets, rug, soldier boots, paper, high temp wire, 3x7x2 ft.

Liliana Folta: An Abstract Poem of Freedom, 2009, (on going) traveling/interaction/installation: ceramic chain, bullets & bowl; white gesso, ink, wooden chair, white sheets, rug, soldier boots, paper, high temp wire, 3x7x2 ft.

Liliana Folta: An Abstract Poem of Freedom, detail 2. The ceramic bullets are signed by soldiers, veterans, and/or their families from different wars throughout history: WWI, WWII, Vietnam War, Islas Malvinas War, etc.

Liliana Folta: An Abstract Poem of Freedom, detail 2. The ceramic bullets are signed by soldiers, veterans, and/or their families from different wars throughout history: WWI, WWII, Vietnam War, Islas Malvinas War, etc.

Liliana Folta: Freedom on Wheels, 2010, ceramic, oxides, glazes, found objects, high temp wire, 15x8x5.5in.

Liliana Folta: Freedom on Wheels, 2010, ceramic, oxides, glazes, found objects, high temp wire, 15x8x5.5in.

Liliana Folta: Oíd el Ruido de Rotas Cadenas (Hear the Sounds of Broken Chains), 2010, Installation for the 1st Biennial of the Americas, unglazed ceramic chains, cotton canvas chains, wood, mirror, iron, high temp wire, 13ft. x 56in Diam.

Liliana Folta: Oíd el Ruido de Rotas Cadenas (Hear the Sounds of Broken Chains), 2010, Installation for the 1st Biennial of the Americas, unglazed ceramic chains, cotton canvas chains, wood, mirror, iron, high temp wire, 13ft. x 56in Diam.

Liliana Folta: Memories & Flowers of a Warrior in a Sandbox, ceramic, oxides, glazes, high temp wire, 8x5in.

Liliana Folta: Memories & Flowers of a Warrior in a Sandbox, ceramic, oxides, glazes, high temp wire, 8x5in.

Liliana Folta: In the Garden, 2008, ceramic, oxides, glazes, crystal beads, high temp wire, 11.5x5x5in.

Liliana Folta: In the Garden, 2008, ceramic, oxides, glazes, crystal beads, high temp wire, 11.5x5x5in.

Liliana Folta: Inhale-Exhale-Explode, 2009/10, ceramic installation, oxides, glazes, wood, high temp wire, 14x12x4in (each)

Liliana Folta: Inhale-Exhale-Explode, 2009/10, ceramic installation, oxides, glazes, wood, high temp wire, 14x12x4in (each)

Liliana Folta: Rococo Shoes, 2008, ceramic, oxides, glazes, fresh water pearls, high temp wire, 10.5x3.5x3.5in.

Liliana Folta: Rococo Shoes, 2008, ceramic, oxides, glazes, fresh water pearls, high temp wire, 10.5x3.5x3.5in.

Liliana Folta: Sitting Pretty, 2008, ceramic, oxides, glazes, crystal beads, high temp wire, 10.5x3.5x3.5in.

Liliana Folta: Sitting Pretty, 2008, ceramic, oxides, glazes, crystal beads, high temp wire, 10.5x3.5x3.5in.