Natalia Dias: Waterfall, detail of installation over 70 Ox tongues, 2010, porcelain, 250x350x27cm

Natalia Dias: Waterfall, detail of installation over 70 Ox tongues, 2010, porcelain, 250x350x27cm

Bethany Krull: Game, 2010, porcelain wood, Target Size; 48”H x 48”W, Hedgehoglets: 6”H x 5”W x 5”D

Bethany Krull: Game, 2010, porcelain wood, Target Size; 48”H x 48”W, Hedgehoglets: 6”H x 5”W x 5”D

Overthrown: Linda Sormin, Mine (i hear him unclip me / blood runs cold), detail, 2010–11.    Glazed ceramic; souvenir kitsch; and studio remnants from Tim Berg,    Gerit Grimm, Nathan Craven, Robyn Gray, and Ted Yoon. Photo by Jeff    Wells. #3

Overthrown: Linda Sormin, Mine (i hear him unclip me / blood runs cold), detail, 2010–11. Glazed ceramic; souvenir kitsch; and studio remnants from Tim Berg, Gerit Grimm, Nathan Craven, Robyn Gray, and Ted Yoon. Photo by Jeff Wells. #3

Overthrown: Linda Sormin, Mine (i hear him unclip me / blood runs cold), detail, 2010–11.    Glazed ceramic; souvenir kitsch; and studio remnants from Tim Berg,    Gerit Grimm, Nathan Craven, Robyn Gray, and Ted Yoon. Photo by Jeff    Wells. #2

Overthrown: Linda Sormin, Mine (i hear him unclip me / blood runs cold), detail, 2010–11. Glazed ceramic; souvenir kitsch; and studio remnants from Tim Berg, Gerit Grimm, Nathan Craven, Robyn Gray, and Ted Yoon. Photo by Jeff Wells. #2

Overthrown: Linda Sormin, Mine (i hear him unclip me / blood runs cold), detail, 2010–11.    Glazed ceramic; souvenir kitsch; and studio remnants from Tim Berg,    Gerit Grimm, Nathan Craven, Robyn Gray, and Ted Yoon. Photo by Jeff    Wells.

Overthrown: Linda Sormin, Mine (i hear him unclip me / blood runs cold), detail, 2010–11. Glazed ceramic; souvenir kitsch; and studio remnants from Tim Berg, Gerit Grimm, Nathan Craven, Robyn Gray, and Ted Yoon. Photo by Jeff Wells.

Overthrown: Linda Sormin, Mine (i hear him unclip me / blood runs cold), 2010–11.   Glazed ceramic; souvenir kitsch; and studio remnants from Tim Berg,   Gerit Grimm, Nathan Craven, Robyn Gray, and Ted Yoon. Photo by Jeff   Wells.

Overthrown: Linda Sormin, Mine (i hear him unclip me / blood runs cold), 2010–11. Glazed ceramic; souvenir kitsch; and studio remnants from Tim Berg, Gerit Grimm, Nathan Craven, Robyn Gray, and Ted Yoon. Photo by Jeff Wells.

Overthrown: Paul Sacaridiz, An Incomplete Articulation (detail), 2011. Porcelain, powder-coated aluminum, steel, paper, cut vinyl, and wood. Photo by Jeff Wells.

Overthrown: Paul Sacaridiz, An Incomplete Articulation (detail), 2011. Porcelain, powder-coated aluminum, steel, paper, cut vinyl, and wood. Photo by Jeff Wells.

Overthrown: Martha Russo and Katie Caron, Apoptosis, 2010–11. Porcelain,  paper clay, glaze materials, colored pigments, assorted  tools, steel  and hardware, silicone, LED Lights, compact fluorescents,  electrical  cables, wires and conductors, utility poles, abaca paper,  beeswax.

Overthrown: Martha Russo and Katie Caron, Apoptosis, 2010–11. Porcelain, paper clay, glaze materials, colored pigments, assorted tools, steel and hardware, silicone, LED Lights, compact fluorescents, electrical cables, wires and conductors, utility poles, abaca paper, beeswax.

Overthrown: Martha Russo and Katie Caron, Apoptosis (detail), 2010–11.  Porcelain, paper clay, glaze materials, colored pigments, assorted   tools, steel and hardware, silicone, LED Lights, compact fluorescents,   electrical cables, wires and conductors, utility poles, abaca paper,   beeswax. #2

Overthrown: Martha Russo and Katie Caron, Apoptosis (detail), 2010–11. Porcelain, paper clay, glaze materials, colored pigments, assorted tools, steel and hardware, silicone, LED Lights, compact fluorescents, electrical cables, wires and conductors, utility poles, abaca paper, beeswax. #2

Overthrown: Martha Russo and Katie Caron, Apoptosis (detail), 2010–11. Porcelain, paper clay, glaze materials, colored pigments, assorted  tools, steel and hardware, silicone, LED Lights, compact fluorescents,  electrical cables, wires and conductors, utility poles, abaca paper,  beeswax.

Overthrown: Martha Russo and Katie Caron, Apoptosis (detail), 2010–11. Porcelain, paper clay, glaze materials, colored pigments, assorted tools, steel and hardware, silicone, LED Lights, compact fluorescents, electrical cables, wires and conductors, utility poles, abaca paper, beeswax.

Overthrown:   Clare Twomey, Collecting the edges. 2011. Red clay dust. Site-specific   project for the Denver Art Museum supported by Jana and Fred Bartlit.   Photo by Jeff Wells. #6

Overthrown: Clare Twomey, Collecting the edges. 2011. Red clay dust. Site-specific project for the Denver Art Museum supported by Jana and Fred Bartlit. Photo by Jeff Wells. #6

Overthrown:   Clare Twomey, Collecting the edges. 2011. Red clay dust. Site-specific   project for the Denver Art Museum supported by Jana and Fred Bartlit.   Photo by Jeff Wells. #5

Overthrown: Clare Twomey, Collecting the edges. 2011. Red clay dust. Site-specific project for the Denver Art Museum supported by Jana and Fred Bartlit. Photo by Jeff Wells. #5

Overthrown:   Clare Twomey, Collecting the edges. 2011. Red clay dust. Site-specific   project for the Denver Art Museum supported by Jana and Fred Bartlit.   Photo by Jeff Wells. #4

Overthrown: Clare Twomey, Collecting the edges. 2011. Red clay dust. Site-specific project for the Denver Art Museum supported by Jana and Fred Bartlit. Photo by Jeff Wells. #4