Lotte Westphael: Where Colours Dissolve into Weightless Nothingness at Galerie Maria Wettergren, Paris

Lotte Westphael: Where Colours Dissolve into Weightless Nothingness is on view at Galerie Maria Wettergren, Paris

March 26 – May 23, 2026

Galerie Maria Wettergren is delighted to present Danish ceramist Lotte Westphael’s first solo exhibition.

The exhibition, Where Colours Dissolve into Weightless Nothingness, presents a selection of delicate porcelain pieces where colour, texture, and form converge in a quiet, concentrated expression — a feeling of tranquility evoked by colours.

The colour is not applied to the surface but layered into the porcelain itself, becoming part of the material’s inner structure. Westphael’s technique thus defines both form and meaning, and treats colour as something deeply internal. In her works, hues gently dissolve into the porcelain, forming quiet rhythms that echo the textile traditions of Anni Albers and Olga de Amaral, and the minimalist clarity of Agnes Martin.

Westphael’s slow, refined process — cultivated through years of dedicated practice — is inseparable from the expression itself, lending the works a distinct calm, in spite of their rare chromatic intensity. The exhibition unfolds the potential of porcelain with both precision and poetic sensitivity. Visitors are invited to enter a space of stillness and quiet contemplation where colour gradually dissolves, and what remains is a resonant sense of presence.

In her practice formed by a cross-aesthetic dialogue, Westphael translates textile logic into subtle ceramic materiality. Westphael’s unfolds pattern interactions in an ongoing exchange with abstraction, textile structures, and the relational nature of colour. These instigating conversations, translated into the medium of porcelain, propel her toward the point where structure begins to lose weight and colour approaches suspension. In the words of the artist: “In porcelain, I pursue the moment where colour no longer describes form but becomes atmosphere.”

Inspired by artistic dialogues with artist works in other mediums, her works move beyond material demonstration toward perceptual experience. In this expanded field of ceramic practice, material discipline and chromatic intuition converge: “My work begins in structure, but it seeks immateriality.”

Within this position, porcelain becomes a medium not only of craft but of inquiry — where colour, form, and structure approach a state of weightless presence.

Lotte Westphael studied at the Ceramics and Glass Department of the Kolding School of Design and continued her training in Japanese ceramic workshops. She debuted at Charlottenborg’s Spring Exhibition in 2016, and in the same year she received the Arts and Crafts Prize of 1879 and the Hetsch Medal. She has since been awarded the European Prize of Applied Arts by the European Crafts Alliance and was honored with the prestigious Jubilee Foundation Grant from Denmark’s Nationalbank.

Her work is held in the collections of Designmuseum Danmark, Copenhagen, and the Center National des Arts Plastiques (CNAP), Paris. Westphael has exhibited widely internationally, including at the American Museum of Ceramic Art, Pomona; the Danish Cultural Institute, St. Petersburg; the Kagoshima Museum, Japan; the 21st Century Museum of Art, Kanazawa; Hjorth’s Museum, Denmark; Albrechtsburg Meissen, Germany; Musée Magnelli, Vallauris; and Sofienholm, Denmark. Her work has also been presented at major international fairs such as TEFAF Maastricht, PAD London, and Design Miami/Basel.

Contact
info@mariawettergren.com

Galerie Maria Wettergren
121 rue Vieille du Temple
75003, Paris
France

Installation views by Pauline Rougier

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