• Magazine
  • About us
  • Submissions
  • Advertise
  • Contact
Tuesday, March 28, 2023
No Result
View All Result
Ceramics Now
Newsletter
  • News
  • Exhibitions
  • Artists
  • Ceramic art
  • Editorial
    • Interviews
    • Articles
  • Resources
    • Ceramics job board
    • Calendar of events 2023
    • Ceramic artists list
    • Pottery classes
  • Magazine
Ceramics Now
  • News
  • Exhibitions
  • Artists
  • Ceramic art
  • Editorial
    • Interviews
    • Articles
  • Resources
    • Ceramics job board
    • Calendar of events 2023
    • Ceramic artists list
    • Pottery classes
  • Magazine
No Result
View All Result
Ceramics Now
Home Archive

Interview with Niisato Akio – Japanese ceramic artist

October 2, 2011
in Archive, Interviews
Interview with Niisato Akio – Japanese ceramic artist

Niisato Akio Japanese Ceramics

You are about to start working as artist in residence at the Harvard Ceramic Studio. What do you hope you’ll learn from this experience?

I am very interested in the different perspectives on craft art, especially Ceramics between US and Japan. I feel that the vessels are more appreciated in Japan rather than US, as well as the ceramic art itself. I would like to know why and I will research on these issues during my stay at Harvard. I am looking forward to seeing new people who will give me lots of inspiration.

The lightness and pureness of your works make them unique. Tell us more about how do you make them. 

White is a simple color, but it can express the subtle nuance between sensibility/ pureness and lights/ shadows.

After I throw the pieces, they are razed as thin as possible, and then I drill the holes with an electric drill, one by one.

After the firing, I sand the surfaces, and the glaze is applied manually into the holes. Another glaze is applied all over the surfaces with a compressor, and then the pieces go into the kiln at 2246(F). It is not so easy to make the smooth surface with a single firing because the holes absorb the glaze very easily, so they need to be fired two or three times to get a nice result.

Niisato Akio Japanese Ceramics - Ceramics Now Magazine

Luminous Form, 2008, Glazed porcelain, 12” x 8 1/2” – View his works

You mainly work with porcelain, but have you ever tried other materials?

I am also using regular clay in my work. I choose very fine and dense clay for the black tea bowls because I want to show the softness of the black surface. I always choose the clays carefully and mix them in the best way, to express the ideal shape and texture.

Do you remember your early works, back when you discovered ceramic art?

I was always fascinated by Chinese celadon vessels in Sung dynasty, mainly because they have sharp lines. So I was trying to replicate similar pieces when I first started to work with clay.

What form of exhibiting suits you the best? Tell us about your past and future exhibitions or residencies.

The definition of a vessel is a container designed for holding something. And I think that my vessels from my luminous series are made for holding the light. To emphasize the effects of the lights and the vessels, I create a special lighting sets for my exhibition.

I am preparing a few exhibitions in Japan after the residency at the Harvard Ceramic Studio, and I would like to have the chance to show my work outside Japan more often.

Niisato Akio Japanese Ceramics

Luminous Vessel, 2007, Glazed porcelain, 8 1/2” x 8 ½ ”x  9” – View his works


Among the many talented young Japanese ceramists who have emerged in recent years, each with innovative techniques and distinctively original ideas, NIISATO Akio commands particular attention. He was born in Chiba in 1977, and in 2001 completed his training at the Tajimi City Ceramic and Design Center in a region famous for its dense, rich ceramic history. Since 2002 he has participated in more than 17 group exhibitions in Japan, Korea, Italy, and Switzerland and has been featured in the same number of solo exhibitions in Japan.

Although NIISATO is strongly influenced by traditional Chinese and Japanese porcelains and explores the inherent qualities of porcelain clay that have contributed to its desirability over the centuries, he eschews popular applied surface decorations, and enhances his sleek modern porcelain vessels and sculptural forms solely with the play of light through small glazed “windows” in the translucent surfaces. After he throws the exceptionally thin wall pieces, he uses a small drill to create patterned openings in the clay. During the final firing, his elegant pearl white glaze fills the drilled apertures, allowing the play of light and water to endow these delicate forms with a luminescence comparable to glass.

By Vasi Hirdo.
Published in Ceramics Now Magazine Issue 1.

Visit Niisato Akio’s website.

Keiko Gallery feature - Japanese artists

Tags: ArtistCeramicCeramic artistCeramicsCeramics magazineCeramics NowCeramics Now MagazinecontemporaryContemporary ceramicsfeaturedInterviewsJapanese artistJapanese ceramicsKeiko Gallery InterviewsNiisato AkioPorcelainwhite porcelain

Related Posts

Makoto Yamaguchi: The Philosophy of Oribe at The Stratford Gallery
Archive

Makoto Yamaguchi: The Philosophy of Oribe at The Stratford Gallery

February 15, 2023
The Stratford Gallery
Interviews

A gallery dedicated to Japanese ceramics. Interview with the co-founder of The Stratford Gallery

December 20, 2022
Interview with Dr. Wendy Gers, the curator of Handle with Care
Interviews

Interview with Dr. Wendy Gers, the curator of Handle with Care, on view at the Princessehof National Museum of Ceramics

December 20, 2022
Irit Rosenberg Ceramics
Articles

Creating New Life: Recycle. Upcycle. Repurpose. An interview with Irit Rosenberg

August 11, 2022

Comments 1

  1. Pingback: Artist in Residence @ Office for the Arts at Harvard. – Magazine

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *



Join the discussion

Follow Ceramics Now on Instagram

  • The Cheongju Craft Biennale Organizing Committee announced the competition guidelines for the 2023 Cheongju International Craft Competition. The application period is from March 31 to May 7, 2023.

📍 Read more on www.CeramicsNow.org - https://cnow.site/cheongju2023

@craftbiennale_2023

#ceramicsnow #ceramics #ceramicart #ceramic #contemporaryceramics #cheongju #cheongjubiennale ##CheongjuInternationalCraftCompetition #craftcompetition #craftbiennale #ceramicscompetition #陶芸 #도자기 #ceramique #keramik #seramik #keramiek #ceramiche #ceramica #ceramicsofinstagram
  • Nina Malterud is today
  • Playroom / Changing room / Kinky are on view at Benyamini Contemporary Ceramics Center, Tel Aviv

📍 View the photo gallery & read more on www.CeramicsNow.org

@benyamini_center

#ceramicsnow #ceramics #ceramicart #ceramic #contemporaryceramics #exhibition #artexhibition #ceramicexhibition #telavivart #telavivartscene #陶芸 #도자기 #ceramique #keramik #seramik #keramiek #ceramiche #ceramica #contemporaryart #artgram #ceramicsofinstagram
  • Claire Mayet is today
  • CRMCS #3 – A selection of contemporary ceramics is on view at Galerie Zwart Huis, Brussels

📍 View the photo gallery & read more on www.CeramicsNow.org

Curated by Kris Campo 
Artists: Johannes Nagel, Alberto Scodro, Patrick Loughran, Sien Godderis, Nathalie Doyen, Caroline Andrin

@zwarthuis @krishortensecampo @carolineandrin @alberto.scodro @patrickloughranceramic @doyenatalie @siengodderis

#ceramicsnow #ceramics #ceramicart #ceramic #contemporaryceramics #exhibition #artexhibition #ceramicexhibition #brusselsart #brusselsartscene #陶芸 #도자기 #ceramique #keramik #seramik #keramiek #ceramiche #ceramica #contemporaryart #artgram #ceramicsofinstagram
  • Michael Dela Dika: Shaping Rhapsody is on view at the Berman Museum, Collegeville

📍 View the photo gallery & read more on www.CeramicsNow.org

@bermanmuseum @mcmichaeldika

#ceramicsnow #ceramics #ceramicart #ceramic #contemporaryceramics #exhibition #artexhibition #ceramicexhibition #bermanmuseum #陶芸 #도자기 #ceramique #keramik #seramik #keramiek #ceramiche #ceramica #contemporaryart #artgram #ceramicsofinstagram
  • Katrina Schneider is today
  • Alison Britton: Plattering is on view at Corvi-Mora, London

📍 View the photo gallery & read more on www.CeramicsNow.org

@corvimora

#ceramicsnow #ceramics #ceramicart #ceramic #contemporaryceramics #exhibition #artexhibition #ceramicexhibition #alisonbritton #londonarts #londonartscene #陶芸 #도자기 #ceramique #keramik #seramik #keramiek #ceramiche #ceramica #contemporaryart #artgram #ceramicsofinstagram
  • I Contain Multitudes, the 2023 NCECA Annual exhibition is on view at Weston Art Gallery, Cincinnati

📍 View the photo gallery & read more on www.CeramicsNow.org

@westonartgallery @nceca @extremecraft @bariziperstein @jamescwatkinsini4 @britny_wainwright @albrechtartco @kaitarndt @joshua_r_clark_89 @kabaczeski @bethloceramics @corybrownceramics @oestreich_jeff @hcceramics @storytellershouse @virginiascotchie @meguminaitoh @chickensarecuter @creechoftheeast @emmalaceyeveryday @colleen_toledano @yu_chengou

#ceramicsnow #nceca #nceca2023 #ceramics #ceramicart #ceramic #contemporaryceramics #exhibition #artexhibition #ceramicexhibition #cincinnatiarts #cincinnatiartscene #陶芸 #도자기 #ceramique #keramik #seramik #keramiek #ceramiche #ceramica #contemporaryart #artgram #ceramicsofinstagram
Facebook Twitter Instagram Pinterest LinkedIn
Ceramics Now

Ceramics Now is a leading independent art publication specialized in contemporary ceramics. Since 2010, we promote and document contemporary ceramic art and empower artists working with ceramics.

Pages

  • Magazine
  • About us
  • Submissions
  • Advertise
  • Contact

Subscribe to Ceramics Now Weekly

Join a fantastic community of over 12,000 readers who receive this premium newsletter dedicated to contemporary ceramics.

SUBSCRIBE FOR FREE

© 2010-2023 Ceramics Now - Inspiring the next generation of ceramic artists.

  • News
  • Exhibitions
  • Artists
  • Ceramic art
  • Editorial
    • Interviews
    • Articles
  • Resources
    • Ceramics job board
    • Calendar of events 2023
    • Pottery classes
    • Ceramic artists list
  • Magazine
    • About us
    • Submissions
    • Advertise
    • Contact
  • Sign up for our newsletter
No Result
View All Result

© 2010-2023 Ceramics Now - Inspiring the next generation of ceramic artists.

escort bayanescort bayan