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Home Ceramic art

Gregorio Peño: Selected works, 2017-2021

April 12, 2022
in Ceramic art
Colapso 8, 2020
Colapso 8, 2020
Colapso 9, 2021
Colapso 9, 2021
Colapso 10, 2021
Colapso 10, 2021
Colapso 11, 2021
Colapso 11, 2021
Colapso 13, 2021
Colapso 13, 2021
Compresiones 3, 2017
Compresiones 3, 2017
Compresiones 4, 2017
Compresiones 5, 2017
Compresiones 6, 2017
Compresiones 6, 2017
Site-specific installation
Site-specific installation

Gregorio Peño: Selected works, 2017-2021

All processes involved in ceramics from the collection of the earth, the preparation of the clay, the creation of the object up until it is put under fire, mark a timeline that is familiar to me. The transformation of the material is for me a conceptual dictionary which defines an artistic routine aside of the one set by schools and other groups.

There exists a common gesture in all my objectual investigation, a gesture that is not simply a measurement between what is human and what is an object, but an assemblage, a crossroads with no dividing lines between practice and theory or craftsman and artist. Matter is conceived as an element of deepening and development.

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Photo captions

  • Colapso 8, 2020. Mixed media. Melted clay. Stoneware, slip and glaze. 38x42x46 cm
  • Colapso 9, 2021. Mixed media. Melted clay. Stoneware, slip and glaze. 48x42x38 cm
  • Colapso 10, 2021. Mixed media. Melted clay. Stoneware, slip and glaze. 44x40x39 cm
  • Colapso 11, 2021. Mixed media. Melted clay. Stoneware, slip and glaze. 52x38x37 cm
  • Colapso 13, 2021. Mixed media. Melted clay. Stoneware, slip and glaze. 53x43x36 cm
  • Compresiones 3, 2017. Mixed media. Stoneware, glass and rubber band. 42x62x37 cm
  • Compresiones 4, 2017. Mixed media. Stoneware, glass and rubber band. 44x36x43 cm
  • Compresiones 5, 2017. Mixed media. Stoneware, glass and rubber band. 43x53x42 cm
  • Compresiones 6, 2017. Mixed media. Stoneware, glass and rubber band. 49x39x41 cm
  • Site-specific installation made throughout the Taiwan Ceramics Residency Program, New Taipei Yingge Ceramics Museum, 2017
Tags: Gregorio Peno

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