• About us
  • Magazine
  • Submissions
  • Advertise
  • Contact
Wednesday, July 9, 2025
No Result
View All Result
Ceramics Now
Subscribe now
  • News
  • Artist profiles
  • Articles
  • Exhibitions
  • Ceramic art
  • Interviews
  • Resources
    • Ceramics Now Weekly
    • 2025 Ceramics Calendar
    • Open call for ceramic artists
    • Ceramics job board
    • Pottery classes
Ceramics Now
  • News
  • Artist profiles
  • Articles
  • Exhibitions
  • Ceramic art
  • Interviews
  • Resources
    • Ceramics Now Weekly
    • 2025 Ceramics Calendar
    • Open call for ceramic artists
    • Ceramics job board
    • Pottery classes
No Result
View All Result
Ceramics Now
Home Exhibitions

Brian Molanphy: Silent Partner at Nasher Sculpture Center, Dallas

Ceramics Now by Ceramics Now
August 3, 2021
in Exhibitions
  • Brian Molanphy: Silent Partner at Nasher Sculpture Center, Dallas, 2021

Brian Molanphy: Silent Partner is on view at Nasher Sculpture Center, Dallas

July 22 – August 15, 2021

The Nasher Sculpture Center presents an exhibition for Nasher Public in the Nasher Store gallery: Brian Molanphy’s Silent Partner.

Artist Brian Molanphy has been working primarily in ceramics throughout his two-decade career, but the issues that he explores through this material are the conceptual and physical concerns of sculpture. For his Nasher Public installation, titled Silent Partner, Molanphy brings together a variety of series of ceramics made over the past eight years in an innovative installation that occupies the floor and the wall—territory not typically associated with presentations of ceramics—examining the varied ways one defines space, both within the ceramics themselves as well as the space of the gallery. Molanphy will make drawings on the glass façade of the gallery on July 24 and August 7, further mediating and changing the visitor’s experience of the space.

Silent Partner chronicles Molanphy’s deep consideration of ceramics’ dual roles as functional object and metaphorical carrier of meaning. The forms he creates at times recall traditional clay objects such as vessels, basins, and tiles, but are often presented in ways that deny their potential utility and highlights their abstract, poetic, and conceptual considerations. In a different orientation, the works braceros and sink could be decorative vases but, mounted to the wall, they become deep chasms with darkened interiors, beautiful yet vaguely menacing. Placing ceramic objects on the floor marks the space of the gallery and expands the visual field of the installation; it also overturns one’s normal relationship to these objects, putting the delicate works in the perilous position at the viewers’ feet. The body is always implied in ceramics—both the body of the artist in the shaping of the material and the visitor’s experience of the finished work. With ceramics, one expects to handle it, feel it, turn it over, like a cup in a hand. Molanphy’s work plays with this tactility and the expectation of a direct relationship to the body, highlighting that expectation by denying it through its unusual placement in the viewer’s space and impelling us to rethink our relation to these objects.

Molanphy’s work draws on a myriad of sources, from ceramic traditions around the world to artistic predecessors like Eva Hesse and Lee Bontecou, as well as contemporary colleagues such as Cameron Schoepp, and Mary Vernon. His highly conceptual practice also explores ideas introduced by a range of philosophers, poets, and academics including Marcel Proust, W. S. Merwin, and Charles Wright. The title of the installation, Silent Partner, refers to an essay by Catarina Roma which posits the void, contained within the vessel and surrounding it, as the “silent partner” of the ceramist.


Brian Molanphy is an artist, teacher, and writer based in Dallas. He received his BA in Art from Colorado College and MFA in Ceramics from Pennsylvania State University. He received a Fulbright grant to study at the National Manufactory of Sèvres, France, and was a Fellow of the Camargo Foundation in Cassis and of the Brown Foundation in Ménerbes. He is an elected member of the International Academy of Ceramics. Molanphy has been featured in numerous solo and group presentations throughout the United States, as well as in France, Canada, China, Korea, and Taiwan. He currently serves as Associate Professor of Art at the Meadows School of the Arts at Southern Methodist University.

About Nasher Public | Nasher Public is an ongoing, two-pronged public art initiative which aims to generate access to public art by North Texas artists at the Nasher and throughout the greater Dallas community. The project will launch first at the Nasher in a newly formed gallery, presenting monthly exhibitions over the next year, followed by an ongoing series of off-site exhibitions in partnership with area businesses. The new gallery, formerly occupied by the Nasher Store, fronts Flora Street and is directly accessible from the Nasher’s entrance foyer. For the duration of the project, the space will be open to the public free of charge during the museum’s public hours, and viewable through the windows during off hours.

About Nasher Sculpture Center | Located in the heart of the Dallas Arts District, the Nasher Sculpture Center is home to the Raymond and Patsy Nasher Collection, one of the finest collections of modern and contemporary sculpture in the world, featuring more than 300 masterpieces by Calder, de Kooning, di Suvero, Giacometti, Gormley, Hepworth, Kelly, Matisse, Miró, Moore, Picasso, Rodin, Serra, and Shapiro, among others.

Contact
214.242.5100

Nasher Sculpture Center
2001 Flora Street
Dallas, TX 75201

Tags: Brian MolanphyDallasNasher Sculpture Center
Previous Post

Solo exhibition by Eun-Ha Paek at Hostler Burrows, New York

Next Post

Elena Gileva: Cultural landscape, 2016-2017

Related Posts

John Roloff and Neil Forrest
Exhibitions

A Roadmap to Stardust at the Museum of Craft and Design, San Francisco

July 9, 2025
Satoru Hoshino & Masaomi Yasunaga ceramics
Exhibitions

Satoru Hoshino & Masaomi Yasunaga: Sea of Mud, Wall of Flame at Nonaka-Hill, Kyoto

July 4, 2025
Perrine Boudy ceramics
Exhibitions

Perrine Boudy: Juste avant les hors-d’oeuvres at Sorry We’re Closed, Brussels

June 18, 2025
Sasha Feldman ceramics
Exhibitions

Sasha Feldman: TERRORCOTTA! at Ki Smith Gallery, New York

June 16, 2025
Next Post
Elena Gileva Ceramic art

Elena Gileva: Cultural landscape, 2016-2017

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *






Latest Artist Profiles

Jane Yang-D'Haene ceramic art
Artists

Jane Yang-D’Haene

June 25, 2025
Kristy Moreno ceramics
Artists

Kristy Moreno

June 23, 2025
Mohamad Soudy ceramics
Artists

Mohamad Soudy

June 16, 2025
Ho Lai ceramics
Artists

Ho Lai

June 2, 2025

Latest Articles

Michelle Im ceramics
Articles

Hello, Goodbye: Michelle Im on Diaspora, Ritual, and the Labor of Care

by Ceramics Now
July 2, 2025
Graciela Olio post ceramics
Articles

Post-Discipline and Post-Ceramics. Questions and reflections from a Latin American perspective

by Ceramics Now
June 26, 2025
Pekka Paikkari ceramics
Articles

Fragments of History. Pekka Paikkari’s exhibition at the Ensérune Oppidum and Archaeological Museum

by Ceramics Now
June 25, 2025
Zizipho Poswa
Articles

Shaping Visibility: Reflecting on Representation in South African Ceramics

by Ceramics Now
June 19, 2025
Instagram Facebook LinkedIn
Ceramics Now

Ceramics Now is a leading independent art publication specialized in contemporary ceramics. Since 2010, we promote and document contemporary ceramic art and empower artists working with ceramics.

Pages

  • About us
  • Magazine
  • Submissions
  • Advertise
  • Contact

Subscribe to Ceramics Now Magazine

Join a vibrant community of over 22,000 readers and gain access to in-depth articles, essays, reviews, exclusive news, and critical reflections on contemporary ceramics.

SUBSCRIBE TODAY

© 2010-2025 Ceramics Now - Inspiring the next generation of ceramic artists.

  • Subscribe to Ceramics Now
  • News
  • Artist profiles
  • Articles
  • Exhibitions
  • Ceramic art
  • Interviews
  • Resources
    • Ceramics Now Weekly
    • Ceramics Calendar 2025
    • Open call for ceramic artists
    • Ceramics job board
    • Pottery classes
  • About us
    • Ceramics Now Magazine
    • Submissions
    • Advertise with Ceramics Now
  • Contact
No Result
View All Result

© 2010-2025 Ceramics Now - Inspiring the next generation of ceramic artists.