Ceramic artists list
> Ceramic artists list 100. Tim Rowan 99. Graciela Olio 98. Michal Fargo 97. Ryan Blackwell 96. Ellen Schön 95. Francesco Ardini 94. David Gallagher 93. Elizabeth Shriver 92. Jason Hackett 91. Patricia Sannit 90. Bente Skjøttgaard 89. Steve Belz 88. Ruth Power 87. Jenni Ward 86. Liliana Folta 85. Kira O'Brien 84. Annie Woodford 83. Kwok-Pong Bobby Tso 82. Bogdan Teodorescu 81. Kimberly Cook 80. Paula Bellacera 79. Debra Fleury 78. Cindy Billingsley 77. David Gilbaugh 76. Teresa & Helena Jané 75. Marianne McGrath 74. Suzanne Stumpf 73. Deborah Britt 72. Kathy Pallie 71. Els Wenselaers 70. Kjersti Lunde 69. Brian Kakas 68. Marie T. Hermann 67. Mark Goudy 66. Susan Meyer 65. Simcha Even-Chen 64. Barbara Fehrs 63. Shamai Gibsh 62. Natalia Dias 61. Bethany Krull 60. Amanda Simmons 59. Arthur Gonzalez 58. Chris Riccardo 57. Akiko Hirai W 56. Johannes Nagel 55. Rika Herbst 54. Liza Riddle 53. Chang Hyun Bang 52. Virginie Besengez 51. Jasmin Rowlandson 50. Chris Wight 49. Wim Borst 48. Rafael Peréz 47. Guðný Hafsteinsdóttir 46. Cathy Coëz 45. Merete Rasmussen 44. Carol Gouthro 43. JoAnn Axford 42. David Carlsson 41. Margrieta Jeltema 40. David Roberts 39. Patrick Colhoun 38. Abigail Simpson 37. Signe Schjøth 36. Katharine Morling 35. Dryden Wells 34. Antonella Cimatti 33. Cynthia Lahti 32. Carole Epp 31. Blaine Avery 30. Ian Shelly 29. Jim Kraft 28. Wesley Anderegg 27. Connie Norman 26. Arlene Shechet 25. Young Mi Kim 24. Jason Walker 23. Peter Meanley 22. Shane Porter 21. Jennifer McCurdy 20. Yoichiro Kamei 19. Debbie Quick 18. Ian F Thomas 17. John Shirley 16. Grayson Perry 15. Vivika & Otto Heino 14. Georges Jeanclos 13. Daniel Kavanagh 12. Nagae Shigekazu 11. Matthew Chambers 10. Tim Andrews 9. Claire Muckian 8. Adam Frew 7. Maciej Kasperski 6. Roxanne Jackson 5. Keith Schneider 4. Celeste Bouvier 3. Tim Scull 2. Kim Westad 1. Sara Paloma

Interview with Murata Yoshihiko - Japanese lacquer artist, Keiko Gallery

Interview with Murata Yoshihiko - Japanese lacquer artist represented by Keiko Gallery, October 2011

The special feature in partnership with Keiko Gallery includes interviews with 10 Japanese artists represented by Keiko, and many images with their works.

→ The interviews will be published in the first printed issue of Ceramics Now Magazine. Pre-order Issue nr. 1 - Winter 2011-2012 or subscribe for one year.

Ceramics Now Magazine : You are a very young and talented artist. What was your first experience with art and with lacquer?

Murata Yoshihiko: I wasn’t exposed to the arts that much and didn’t know about Japanese lacquer work very well until I entered the art collage. I was interested in design and woodwork working and wanted to make the furniture for our daily life when I was a teenager. When I was a sophomore student, I choose the Urushi department for my major, but it was something uncomfortable for me. At first, I made many chaotic pieces, however those pieces are supposed to be an origin of my work today.

Murata Yoshihiko Japanese Lacquer art on Ceramics Now Magazine

Silhouette-02, 2010, Maple wood, lacquer, 8” x 2 3/4” x 1 1/2” - View his works

Your works have an extraordinary sense of space and light, their shadows contrasting with the colors and the surroundings. How do you make these fantastic lines of dark? It has to do with the slim silhouettes of your works.

I simulate the three dimensional shapes in my mind, for example, how lines will be flowing or how they are placed on the pedestals or attached on the walls. I believe that only lines which look beautiful from any angles can make the lithe and sharp silhouette.

Talking about Silhouettes, what can you tell us about this series, “whose lines twist and turn, swell and fade, like the sounds from a musical instrument”? Tell us about the constructing process and its motifs.

I use maple wood for my work, because it is flexible and doesn’t snap easily, though it is hard and difficult to carve.
I got a lot of inspiration from nature’s creatures. I currently live in Toyama prefecture in Japan and it is filled with the beauty of nature and many birds and animals play around my house. We can encounter snakes, wild cats, weasels or frogs every day. Since I was raised in a farmer’s family, the circumstances were not very different, but after seven years of collage life in the city, the nature in Toyama was just perfect for me. I think that everybody has memories or episodes with the animals in the bottom of their heart, but we usually don’t think about that very frequently. I am very happy if the audiences evoke those memory while they are looking at my pieces.

Murata Yoshihiko Japanese Lacquer works - Ceramics Now

Ornamental Creature-07, 2008, Maple wood, lacquer, 4” x 4” x 3/4” each - View his works


Living in Kanazawa, a famous entertainment district, exposed you to images of courtesans whose extravagant attire and richly ornamented hair styles had captured a little bit of your imagination. Where else do you get your inspiration from?

I have lived in Kanazawa for seven years, but haven’t seen the real Geisha. However when I was looking at a book for woodcuts in the library in the collage, I found the images of s Geisha decorated with the gorgeous hair ornaments. Those images grabbed my heart and I immediately decided to make the Urushi hair ornaments. (Actually, if I think better, I made them four years later.)

Ceramics Now Magazine : What can you tell us about being a young lacquer artist in Japan. Are you a full-time artist?

Murata Yoshihiko: I am working as a part-time teacher in a middle school as well as a conservator for the cultural heritage in my prefecture, because it is hard to live as a fulltime lacquer artist.
I have been working as a lacquer artist for about ten years, and really appreciated the supports of many people. My artist friends asked me to join group exhibitions or to introduce myself to galleries, so I truly can’t thank enough to those friends. I also feel that I could help young artists who are struggling.

I will have a solo exhibition at KEIKO Gallery in April 2012.

Murata Yoshihiko Japanese Lacquer artist - Contemporary Ceramics

Silhouette - 01, 2009, Maple wood, lacquer, 3” x 4” x 9” - View his works

——————————————————————————————————

Among an increasing number of well trained and gifted young Japanese lacquer artists, Murata Yoshihiko’s work relies heavily on the external play of light that creates silhouettes which continue his forms and flow indistinguishably from the sculptural pieces themselves.  This engaging illusion teases one’s perception of where the black lacquer ends and the shadow begins.  

Like his slender anthropomorphic forms, his occasional use of the contrasting brilliance of raden (mother-of-pearl) reflects his early fascination with the exquisite hair ornaments once worn by Oiran, the high ranking goddesses of Japan’s traditional entertainment world.  As a student in lacquer at the College of Art in Kanazawa, a city once famous for its entertainment district, he was exposed to images of these courtesans whose extravagant attire and richly ornamented hair styles had captured the imaginations of most artists of Ukiyoe, wood block prints of the Floating World.
After the form is carved and made smooth, he applies more than 20 coats of lacquer, each coat of which is polished, requiring several months to complete a single piece. It was his satisfactory mastery of lacquering that led him to develop his recent lyrical Silhouette Series whose lines twist and turn, swell and fade, like the sounds from a musical instrument.

Visit Keiko Gallery’s website.

Keiko Gallery feature - Japanese artists

Subscribe to our monthly newsletter and like our Facebook page if you want to stay in touch with us.
→ Read more interviews with ceramic artists and search through our featured artists.

Interview by Vasi Hîrdo - Editor of Ceramics Now Magazine with help from Keiko Fukai.

All work is copyright of respective owner, otherwise © 2014 Ceramics Now. Website powered by Tumblr.