CLASS OF 2013 / The National Centre for Craft & Design, Sleaford, UK

CLASS OF 2013 / The National Centre for Craft and Design, Sleaford, UK
November 22, 2013 - January 19, 2014

Each year,The National Centre for Craft and Design in Sleaford, Lincolnshire, UK selects work by the very best of the current year’s graduates from art colleges and universities all over the UK, and gives them the opportunity of exhibitingat the NCCD.

This year’s show explores the theme of function in objects. A range of high quality, visually striking artworks created by 18 specially selected graduates are on display. They demonstrate a diverse range of skills from fashion and jewellery to ceramics and automata.

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Interview with Liliana Folta

Interview with Liliana Folta / Spotlight
By Ileana Surducan
Published in Ceramics Now Magazine Issue 2

What sparked your interest for ceramics?

I was in college taking painting classes and I wanted to learn sculpture. One day I stopped by the sculpture lab to ask the instructor if I could audit the class. She agreed and handed me a piece of clay. I was amazed at the work of the students. A retired engineer was making intriguing ceramic sculptures. The forms were powerful and provocative. At that moment I thought of how versatile and expressive clay could be to express both powerful and delicate ideas. It was, for me, the medium of infinite possibilities.

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Uku Rere: Nga Kaihanga Uku and beyond / Whangarei Art Museum, New Zeeland

Uku Rere: Nga Kaihanga Uku and beyond, Whangarei Art Museum

Uku Rere: Nga Kaihanga Uku and beyond / Whangarei Art Museum, New Zeeland
November 11, 2013 - February 16, 2014

Whangarei Art Museum is the first venue to host this ground-breaking touring exhibition after a highly successful show at Pataka Art+Museum in partnership with Toi Maori. Uku Rere features contemporary ceramics by the five principal members of Nga Kaihanga Uku: Baye Riddell, Manos Nathan, Colleen Urlich, Wi Taepa and Paerau Corneal. Both Colleen Urlich and Manos Nathan are from the Te Tai Tokerau region and this important exhibition is the first major survey of contemporary Maori ceramics and showcases the strength of Maori ceramic art in New Zealand’s contemporary art scene.

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Interview with Els Wenselaers, Belgian ceramic artist

Interview with Els Wenselaers / Spotlight
By Ileana Surducan
Published in Ceramics Now Magazine Issue 2

What made you choose ceramics as a way of expressing yourself?

Clay is as good as any other medium, it is a material with lots of possibilities but it doesn’t influence my personal perception of art. Sometimes because of its limitations in format, in height, due to the measures of my kiln I have to find other solutions than I used before, but that are technical issues. I have also used other materials like papier maché before but the outcome of my figurines would be the same.

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Graciela Olio: Proyecto Sur, Serie Home (Project South, Home Series), 2010, Porcelain sheet (Keraflex) print with photoceramic (gum bichromate process), Printing directly on raw sheet before handbuilding, 15x15x15 cm. Photo by Hernán Cédola.

Graciela Olio: Proyecto Sur, Serie Home (Project South, Home Series), 2010, Porcelain sheet (Keraflex) print with photoceramic (gum bichromate process), Printing directly on raw sheet before handbuilding, 15x15x15 cm. Photo by Hernán Cédola.

Michal Fargo: Else, 2012, Porcelain, fired mold technique, fired to cone 6 electric, 20x7 cm. Photos by Mel Bergman.

Michal Fargo: Else, 2013, Porcelain, fired mold technique, fired to cone 6 electric, 28x15 cm. Photo by Mathew Stanton.

Michal Fargo: Else, 2013, Porcelain, fired mold technique, fired to cone 6 electric, 28x15 cm. Photo by Mathew Stanton.

In Harmony: The Norma Jean Calderwood Collection of Islamic Art / Harvard Art Museums, Cambridge

In Harmony: The Norma Jean Calderwood Collection of Islamic Art at Harvard Art Museums, Cambridge - Bowl with inscription and birds, Samanid period, 10th century

In Harmony: The Norma Jean Calderwood Collection of Islamic Art / Harvard Art Museums, Arthur M. Sackler Museum, Cambridge
January 31 - June 1, 2013

The Harvard Art Museums present In Harmony: The Norma Jean Calderwood Collection of Islamic Art, a special exhibition that showcases some 150 objects from the Persian cultural sphere, including luxury glazed ceramics of the early and medieval Islamic era, illustrated manuscripts of medieval epic poems, and lacquerware of the early modern era. The works in this little-known and largely unpublished collection represent 30 years of committed collecting by Mrs. Calderwood.

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"In women’s hands" artwork by Italian artist Clara Garesio, donated to the United Nations Office

In womens hands artwork by Italian artist Clara Garesio, donated to the United Nations Office

In Women’s hands, an artwork by Italian artist Clara Garesio, created specifically for the High Level panel “The Power of Empowered Women” was  donated by the delegation of the European Union on February 25 to the United Nations Office at Geneva where it will remain part of the permanent collection.

Clara Garesio created the ceramic artwork specifically for the High Level panel “The Power of Empowered Women”, an initiative of the 40 women ambassadors to the UN, aimed at showcasing the experience of engaged women from politics, business and civil society who have overcome obstacles and developed approaches to move gender equality forward.

Unveiling the work, a ceremony in the presence of UNOG Director-General Mr. Kassym-Jomart Tokayev, the EU Head of Delegation Mariangela Zappia said: “It is a special day for the European Union – as we offer the very first donation to the United Nations – and it is special for me as a woman since this beautiful piece of art is about the beauty, the simplicity and strength of women as positive transformative forces of our societies.”

(Source: eeas.europa.eu)

Ryan Blackwell: Untitled (Red Rectangle), details, 2012, Table Top, Clay, Oil, Acrylic, Curtain Wire, 41 x 28 x 2 in.

Ryan Blackwell: Thirteen Days or Ten Miles per Gallon, 2010, Ceramic (Stoneware and Native), Paper Rope, Wood Glue, 156 x 60 (variable) x 12 in.

Ryan Blackwell: Untitled (White Shelf), 2012, Shelf, Clay, Oil, Acrylic, Resin, Wood Glue, Hardware, 43.25 x 10.25 x 2 in.