Ceramic artists list
> Ceramic artists list 100. Tim Rowan 99. Graciela Olio 98. Michal Fargo 97. Ryan Blackwell 96. Ellen Schön 95. Francesco Ardini 94. David Gallagher 93. Elizabeth Shriver 92. Jason Hackett 91. Patricia Sannit 90. Bente Skjøttgaard 89. Steve Belz 88. Ruth Power 87. Jenni Ward 86. Liliana Folta 85. Kira O'Brien 84. Annie Woodford 83. Kwok-Pong Bobby Tso 82. Bogdan Teodorescu 81. Kimberly Cook 80. Paula Bellacera 79. Debra Fleury 78. Cindy Billingsley 77. David Gilbaugh 76. Teresa & Helena Jané 75. Marianne McGrath 74. Suzanne Stumpf 73. Deborah Britt 72. Kathy Pallie 71. Els Wenselaers 70. Kjersti Lunde 69. Brian Kakas 68. Marie T. Hermann 67. Mark Goudy 66. Susan Meyer 65. Simcha Even-Chen 64. Barbara Fehrs 63. Shamai Gibsh 62. Natalia Dias 61. Bethany Krull 60. Amanda Simmons 59. Arthur Gonzalez 58. Chris Riccardo 57. Akiko Hirai W 56. Johannes Nagel 55. Rika Herbst 54. Liza Riddle 53. Chang Hyun Bang 52. Virginie Besengez 51. Jasmin Rowlandson 50. Chris Wight 49. Wim Borst 48. Rafael Peréz 47. Guðný Hafsteinsdóttir 46. Cathy Coëz 45. Merete Rasmussen 44. Carol Gouthro 43. JoAnn Axford 42. David Carlsson 41. Margrieta Jeltema 40. David Roberts 39. Patrick Colhoun 38. Abigail Simpson 37. Signe Schjøth 36. Katharine Morling 35. Dryden Wells 34. Antonella Cimatti 33. Cynthia Lahti 32. Carole Epp 31. Blaine Avery 30. Ian Shelly 29. Jim Kraft 28. Wesley Anderegg 27. Connie Norman 26. Arlene Shechet 25. Young Mi Kim 24. Jason Walker 23. Peter Meanley 22. Shane Porter 21. Jennifer McCurdy 20. Yoichiro Kamei 19. Debbie Quick 18. Ian F Thomas 17. John Shirley 16. Grayson Perry 15. Vivika & Otto Heino 14. Georges Jeanclos 13. Daniel Kavanagh 12. Nagae Shigekazu 11. Matthew Chambers 10. Tim Andrews 9. Claire Muckian 8. Adam Frew 7. Maciej Kasperski 6. Roxanne Jackson 5. Keith Schneider 4. Celeste Bouvier 3. Tim Scull 2. Kim Westad 1. Sara Paloma

Ceramics magazine

Interview with Tanoue Shinya - Japanese ceramic artist, Keiko Gallery

Interview with Tanoue Shinya - Japanese ceramic artist represented by Keiko Gallery, October 2011

The special feature in partnership with Keiko Gallery includes interviews with 10 Japanese artists represented by Keiko, and many images with their works.

→ The interviews will be published in the first printed issue of Ceramics Now Magazine. Pre-order Issue nr. 1 - Winter 2011-2012 or subscribe for one year.

Ceramics Now Magazine : What was the starting point in your investigation with ceramics? Do you remember your early works?

Tanoue Shinya: When I was a student of Theology at the Doshisha University, I also belonged to the ceramic club. I was just absorbed to make something with clay in the club’s room. I worked for some textile company for two years after the graduation, and I entered Kyoto Saga Art College because I wanted to learn more throwing techniques. I remember the pieces I made in the college very well. The pieces I’ve made in my freshman year are the origins of my current series.

Tanoue Shinya Japanese Ceramics - Contemporary Ceramics Magazine

KARA-10: Fu- a, 2010, Glazed clay, 7” x 26” x 4 1/2” (h) - View his works

Your works may be simple, but the details, the lines and curves of your works are very sinuous. Tell us about how do you construct your pieces.

After creating the vessel or sculpture’s shape with coil techniques, the slip is applied on the surface. And then I groove the surface with needles one by one and at the end I rub iron into those grooves.

The important theme of my pieces is the shell - egg shells, shells of fruits or seashells, because they are deeply related to the normal circles of life. The cobalt blue in the pieces represent the ocean, which is the origin of life on Earth.  The wombs are consideres to be the shell of human beings, so if I could express in my pieces the memories of leaving the wombs (leaving forever the protective and comfortable feeling), it would be wonderful.

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  • Interview with Niisato Akio - Japanese ceramic artist, Keiko Gallery

    Interview with Niisato Akio - Japanese ceramic artist represented by Keiko Gallery, October 2011

    The special feature in partnership with Keiko Gallery includes interviews with 10 Japanese artists represented by Keiko, and many images with their works.

    → The interviews will be published in the first printed issue of Ceramics Now Magazine. Pre-order Issue nr. 1 - Winter 2011-2012 or subscribe for one year.

    Ceramics Now Magazine : You are about to start working as artist in residence at the Harvard Ceramic Studio. What do you hope you’ll learn from this experience?

    Niisato Akio: I am very interested in the different perspectives on craft art, especially Ceramics between US and Japan. I feel that the vessels are more appreciated in Japan rather than US, as well as the ceramic art itself. I would like to know why and I will research on these issues during my stay at Harvard. I am looking forward to seeing new people who will give me a lots of inspiration.

    Niisato Akio Japanese Ceramics

    Luminous Vessel, 2008, Glazed porcelain, 5” x 5” x 10” - View his works

    Ceramics Now Magazine: The lightness and pureness of your works makes them unique. Tell us more about how do you make them.

    Niisato Akio: White is a simple color, but it can express the subtle nuance between sensibility/ pureness and lights/ shadows.

    After I throw the pieces, they are razed as thin as possible, and then I drill the holes with an electric drill, one by one.

    After the firing, I sand the surfaces and the glaze is applied manually into the holes. Another glaze is applied all over the surfaces with a compressor and then the pieces go into the kiln at 2246(F). It is not so easy to make the smooth surface with a single firing, because the holes absorb the glaze very easily, so they need to be fired two or three times to get a nice result.

    Niisato Akio Japanese Ceramics - Ceramics Now Magazine

    Luminous Form, 2008, Glazed porcelain, 12” x 8 1/2” - View his works

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  • Interview with Murata Yoshihiko - Japanese lacquer artist, Keiko Gallery

    Interview with Murata Yoshihiko - Japanese lacquer artist represented by Keiko Gallery, October 2011

    The special feature in partnership with Keiko Gallery includes interviews with 10 Japanese artists represented by Keiko, and many images with their works.

    → The interviews will be published in the first printed issue of Ceramics Now Magazine. Pre-order Issue nr. 1 - Winter 2011-2012 or subscribe for one year.

    Ceramics Now Magazine : You are a very young and talented artist. What was your first experience with art and with lacquer?

    Murata Yoshihiko: I wasn’t exposed to the arts that much and didn’t know about Japanese lacquer work very well until I entered the art collage. I was interested in design and woodwork working and wanted to make the furniture for our daily life when I was a teenager. When I was a sophomore student, I choose the Urushi department for my major, but it was something uncomfortable for me. At first, I made many chaotic pieces, however those pieces are supposed to be an origin of my work today.

    Murata Yoshihiko Japanese Lacquer art on Ceramics Now Magazine

    Silhouette-02, 2010, Maple wood, lacquer, 8” x 2 3/4” x 1 1/2” - View his works

    Your works have an extraordinary sense of space and light, their shadows contrasting with the colors and the surroundings. How do you make these fantastic lines of dark? It has to do with the slim silhouettes of your works.

    I simulate the three dimensional shapes in my mind, for example, how lines will be flowing or how they are placed on the pedestals or attached on the walls. I believe that only lines which look beautiful from any angles can make the lithe and sharp silhouette.

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  • Interview with Mariko Husain - Japanese jewelry artist, Keiko Gallery

    Interview with Mariko Husain - Japanese jewelry artist represented by Keiko Gallery, October 2011

    The special feature in partnership with Keiko Gallery includes interviews with 10 Japanese artists represented by Keiko, and many images with their works.

    → The interviews will be published in the first printed issue of Ceramics Now Magazine. Pre-order Issue nr. 1 - Winter 2011-2012 or subscribe for one year.

    Ceramics Now Magazine : Your works are exquisite and embrace all the qualities of elegance and rhythm. Can you explain the constructing process? Do you work alone, do you have a studio? It sure needs a lot of delicacy.

    Mariko Husain Japanese jewelryMariko Husain: I was very fortunate to have learned Jewelry design at Central School of Art and design in London, England where their focus was on teaching to follow the theme of one’s interest, explore all possibility and develop design fully.
    The process of my work is very much involved on developing ideas, drawings, playing with paper models and metal samples. Using paper and fabric pressing to create texture on metal and mat finish are my preference.
    All my work are created from sheet & wire of metal and hand made with no castings. The equipment I use includes various hand-tools, milling machine, flux soldering machine, etc.  to produce my work. I have a studio where I work alone to create my designs and make my jewellery.

    Mariko Husain Japanese Jewelry - Ceramics Now

    Earrings, 2011, Sterling silver, pearl, 1 1/3 (L) - View her works

    The continuous forms and elements of nature seem to be your inspiration, but have you ever tried to do something more rigid, or geometrical?

    In the early stage of my career I tried to work on geometric designs, however I found my self drawn to the themes of nature especially the rhythm, movement, texture, power, stillness and so many variations of form and pattern of water.


    What can you tell us about the theme of your works and the materials you use?

    The theme of my work has been mainly water, including ocean, river, stream, water fall and lake. I work mostly with sterling silver accented with 18K. yellow gold. I like the visual effect of the combination. I occasionally work with 18K white gold. Many of my work include pearls, precious & semi precious stones.

    Mariko Husain Jewelry - Ceramics Now Magazine

    Necklace, 2011, Sterling silver, 18” (L) - View her works

    Ceramics Now Magazine : The market for your jewelries consists in elegant women. Where do you sell your pieces? Do you think that exhibiting them helps you work to be more recognizable?

    Mariko Husain: Unless I am working on a commissioned pieces I do not think of my market. My ideas come to me naturally. If I were to focus only on certain demographics, I feel that it would stifle my creativity. I sell my work at Keiko Gallery in Boston MA. and I do yearly exhibitions in Tokyo, Japan. Due to these exposures I have gained many customers who look forward to my work and continue to return often to see my new creations.


    What’s the most important advice you can give to a young artist?

    If you follow your passion and pursue your dream every thing will come true.

    Mariko Husain contemporary jewelry design

    Broach, 2011, Sterling silver, 18K gold, pearl, 2 3/4” x 1/2” x 3/8” - View her works

    Visit Keiko Gallery’s website.

    Keiko Gallery feature - Japanese artists

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    Interview by Vasi Hîrdo - Editor of Ceramics Now Magazine

  • Interview with Takeda Asayo - Japanese textile artist, Keiko Gallery

    Interview with Takeda Asayo - Japanese textile artist represented by Keiko Gallery, October 2011

    The special feature in partnership with Keiko Gallery includes interviews with 10 Japanese artists represented by Keiko, and many images with their works.

    → The interviews will be published in the first printed issue of Ceramics Now Magazine. Pre-order Issue nr. 1 - Winter 2011-2012 or subscribe for one year.

    Ceramics Now Magazine : You are one of the most appreciated textile artists in Japan, with many awards for your purses. When did you start working with textiles?

    Takeda Asayo: I started making purses in 1970 and had my first solo exhibition in a gallery in 1983.

    Do you remember how much you asked for the first bag you created to be sold?

    It was about JPY 12000 (=$150). That purchase made me confident and gave me the power to go forward.

    Takeda Asayo Japanese Textile artist - Ceramics Now

    Sculpturesque Purse, 2009, Cotton, leather - View her works

    More than 30 years ago, you established your own independent studio for the production of fabric sculpture and bags. What can you tell us about the studio, how it evolved in time?

    I would like to create the usable sculpture rather than just looking. I believe that this new concept appeals to many people, so I have been able to continue my style until now.


    Your works have an amazing and innovative design which distinguish itself. You carefully chose the fabric material, and you try to make your works to be comfortable and complimentary to the human body. Doing all that, you find a balance between functionality and design. How?

    Our body of work consists in many curved lines, so I always consider that the shape and lines of my purses can harmonize with our body line. I prefer to improvise rather than using the fixed patterns. That makes my purses comfortable to wear.

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  • Tanoue Shinya: KARA-10: Fu- a, 2010, Glazed clay, 7” x 26” x 4 1/2”(h)
    / Keiko Gallery - Japanese artists

  • Takeuchi Kouzo: Modern Remains G, 2006, Glazed porcelain, 14” x 24” x 16”
    / Keiko Gallery - Japanese artists

  • Jorie Johnson (Joi Rae): Jorie Johnson Spring Collection 2011 (beret, vest, skirt, neck wraps), wool, novelty yarn, silk fabric, linen lace fabric, silk cord. Photo by Toyoda Yuzo.
    / Keiko Gallery - Japanese artists

  • Jorie Johnson (Joi Rae): Ceramic Pendants with felted cord variations 2010, variegated dyed wool; Ceramic Pendants by Yoko Takao (Fuucho, Tokyo) Scarf, wool, silk organza, mohair yarn. Photo by Toyoda Yuzo.
    / Keiko Gallery - Japanese artists

  • Mariko Husain: Rings, 2011, Sterling silver, topaz, pearl
    / Keiko Gallery - Japanese artists

  • Takeda Asayo: Sculpturesque Purse, 2008, Cotton, leather, lacquer, 15” x 20” x 3”
    / Keiko Gallery - Japanese artists

  • Murata Yoshihiko: Silhouette 01, 2009, Maple wood, lacquer, 3” x 4” x 9”
    / Keiko Gallery - Japanese artists

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