State of Flux / An Talla Solais, Ullapool, Scotland April 17 - June 1, 2014
Featuring work by: Edina Andrási, Artúr van Balen, Fiona Byrne Sutton, Melanie Davies, Sinéad Dunn, Morgane Deffense, Tilly Gifford, Nicola Henderson, Kevin Morris, Emma Pratt, Ester Svensson. Curated by Kevin Morris and Fergus Stewart.
Anna Maria Maiolino. Between Senses / Hauser & Wirth, New York May 7 – June 21, 2014
Anna Maria Maiolino is one of the most significant artists working in Brazil today. In a career spanning five decades and a diversity of disciplines and mediums, ranging from drawing, sculpture, and artist books to video and performance, she expresses through her art a bottomless concern with creative and destructive processes and, above all, the never-ending search for identity. Maiolino’s multidisciplinary practice has consistently explored the viscerality of embodied experience – often obliquely through fragmentation and abstraction – and engaged the human body’s processes as analogs for both the making of art and the making of modernity. As an immigrant coming of age in politically unstable Brazil, Maiolino has perfected a dialogue between opposite yet complementary categories in a practice that dissolves dichotomies of inner and outer, self and other. Hers is an art in search of a new language for the liminal realm of daily human existence.
Annabeth Rosen / Ventana244, Brooklyn May 2 – June 14, 2014
Ventana 244 is pleased to present new work by Annabeth Rosen, who will be showing a group of pieces developed over the last few years - lumpen forms with rich, densely packed and cracked molten surfaces. The shapes and surfaces seem to have emerged from the natural world and are described in her words as “…reduced in scale into concentrated simple forms… Heaps or hives or nests, sometimes with a human interference, formed by an intensive, focused energy. Against the weight and the impervious nature of fired ceramics, they seem to be in flux, slowly heaving and settling. Unsure if the works are found or formed… they infer yielding and resistance, thoughtfulness and recklessness…”
The Arkansas Arts Center, the state’s leader in international, visual and performing arts, presents the exhibition, InCiteful Clay, on view April 4 - June 29, in the Winthrop Rockefeller Gallery.
“This exhibition of brilliantly expressive ceramics offers extraordinary insight into the artists’ creative imaginations,” said Arkansas Arts Center chief curator and curator of contemporary craft Brian Lang. “Each work in the exhibition tells a unique and compelling narrative and illustrates the diversity and limitless potential of the clay medium.”
Sara Radstone describes her work as ‘a lifetime obsession with things that are overlooked or discarded’. Thoughts of archived objects and the traces or fragments of long redundant artefacts all haunt her work; they represent, as she puts it, the ‘frozen remains of what might have been.’
Beverly Mayeri is a studio artist living in the Bay Area with over 30 years experience as an established ceramic sculptor. She earned a BA from the University of California, Berkeley, and an MA in sculpture at San Francisco State University.
Mayeri works with refined and elegant heads and figures often using meticulously patterned details that allude to the inner life of emotions, thoughts and human frailties. The pieces are painted in washes of acrylic paint. Mayeri’s figures “evoke a richly complicated human presence,”and often “bridge the psychological, the political and the sensuous within one hybrid form.”
Gunhild Rudjord and Nils Erik Gjerdevik / Copenhagen Ceramics, Denmark February 27 - March 22, 2014
The expressive potential of ceramic glazes is one of the artistic links between both artists at the year’s first exhibition at Copenhagen Ceramics. Gunhild Rudjord and Nils Erik Gjerdevik both master the capacity to exploit the particular textural possi-bilities of ceramics, but make use of them for widely differing purposes.
Klara Kristalova: Underworld / Galerie Perrotin, New York February 27 - April 12, 2014
There is something fascinating about circuses, not the big productions kind, but the small family type that travel around the countryside. They aren’t perfect but you get a sense that they really try; the kind of atmosphere were strange things can happen but we are still close to ordinary life. – Klara Kristalova
Galerie Perrotin, New York is pleased to present “UNDERWORLD”, its first solo exhibition by Klara Kristalova in New York and the artist’s fourth solo show with Galerie Perrotin.
The opening will also feature Spectra by Adrian Esparza in the Front Gallery. Open studios by current resident artists to follow talks.
In Dark Light: The Micaceous Ceramics of Christine Nofchissey McHorse, Houston Center for Contemporary Craft (HCCC) presents works by one of the most innovative contemporary forces in Native American pottery. Working from traditional materials and techniques, Christine Nofchissey McHorse’s vessel-based art blends the boundaries of pottery and sculpture, erasing the line between function and form. As the Navajo artist’s first traveling exhibition, the show exhibits the unadorned sophistication of the sultry curves, black satiny surfaces, and modern forms of her Dark Light series, created from 1997 to present. An amalgam of Puebloan, Navajo, and contemporary influences, each sculpture possesses a cultural splendor that is as fertile as the Northern New Mexico riverbeds where McHorse harvests her clay.
Şirin Koçak / Kuğulu Art Gallery, Ankara, Turkey February 10-28, 2014
"Şirin Koçak sticks in our mind with her works in which senses, experiences, broken hearts, and memories of today and the past are blended with a deep and shocking taste. Traces from the past finds a new integrity and expression in her both subjective and universal works made of ceramic clay.
Anders Ruhwald: Almost Everything / Harrison Gallery
Danish-born artist Anders Ruhwald makes art that is “a meditation on utility, the history of ceramics and object-hood”. Almost Everything was created in 2009 and has been exhibited at galleries in five European countries before making its United States debut at The Clay Studio.
Yeesookyung: The Meaning of Time / Locks Gallery, Philadelphia February 7 - March 15, 2014
Locks Gallery is pleased to present The Meaning of Time, the first solo exhibition in the United States by the Korean artist Yeesookyung, on view February 7 through March 15, 2014. This exhibition is intended to be a contemporary perspective in dialogue with the nationally touring exhibition of Korean Joseon Dynasty artifacts that will be on view at the Philadelphia Museum of Art on March 2, 2014.