Vitor Reis: Hanging out, 2014

This project presents a brick photographed in the surroundings of different disused ceramic factories around the city of Caldas da Rainha, Portugal. The work is carefully positioned to best reflect the surrounding environment. The brick with wings is photographed with other found bricks, as if the brick had flown away one day, returning on this occasion for a visit.

Kerry Jameson: Unbounded / Marsden Woo Gallery, London

Kerry Jameson: Unbounded exhibition, Marsden Woo Gallery London

Kerry Jameson: Unbounded / Marsden Woo Gallery, London
November 7 - December 21, 2013

Kerry Jameson’s new sculptures have an emotional charge that is presented through a mix of narrative set pieces, tableaux and individual figures. Subjects include historical events and the exploits of folkloric and storybook characters. She derives inspiration from an equally eclectic range of sources, which include portrait paintings, the figures of British myth such as the Burryman and Wicker Man, the work of animator Ray Harryhausen, a fascination with the polychrome religious sculptures of 17th century Spain and the toy collections of the Bethnal Green Museum of Childhood. She explains: ‘A work starts with a thought or feeling, an undigested experience that needs to be worked through.’

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Jannis Kounellis / Parasol unit foundation for contemporary art, London

Jannis Kounellis exhibition Parasol unit foundation for contemporary art, London

Jannis Kounellis / Parasol unit foundation for contemporary art, London
28 November 2012 – 24 February 2013

Preview: November 27, 2012, 6:30 – 9:00 pm.

Parasol unit foundation for contemporary art is delighted to present a solo exhibition of works by painter, sculptor and performance artist Jannis Kounellis from 28 November 2012 to 24 February 2013 (Private View, 27 November 2012).

Considered a protagonist of Arte Povera, an art movement that emerged in Italy during the 1960s, Kounellis embarked on his artistic career by creating some of the most radical art works of the time. Often combining the inanimate and animate, he boldly incorporated things such as propane torches, plants and animals as integral if not vital parts of his works. He also introduced the notion of performance within works of art, something that to this day continues to inspire artists around the world. In all these works Kounellis drew from his deep knowledge of and sensitivity to cultures of the past and his own heritage, in itself a spirited discussion between collective and personal experiences.

The exhibition at Parasol unit aims to consider Kounellis’s early works from the 1960s, 70s and 80s and his own response to them from today’s standpoint, which often culminates in a more recent and spontaneous work. This juxtaposition of works of art from the different decades should thus engender an arena for discussion. On show will be works, such as Untitled (Carboniera), 1967; Untitled (steel plate and braid),1969, on loan from Centre George Pompidou, Musée national d’art; Metamorphosis, 1984, and Untitled, 1977, an electric train moving on steel plates installed around one of the pillars of the Parasol unit gallery.

Born in 1936 in Piraeus, Greece, Kounellis moved to Rome in 1956, where he still lives and works. In recent years, Kounellis has had numerous solo exhibitions internationally, including, among others, at Neue Nationalgalerie, Berlin, 2007; National Centre for Contemporary Art, Moscow, 2011; Today Art Museum, Beijing, 2011; and Museum of Cycladic Art, Athens, 2012.

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Kim Simonsson exhibition / Galerie Favardin & de Verneuil, Paris

Kim Simonsson exhibition Galerie Favardin & de Verneuil, Paris

Kim Simonsson exhibition / Galerie Favardin & de Verneuil, Paris
October 16 - November 10, 2012

One of the major artists of the young Finnish art scene, Kim Simonsson epitomizes this new generation of artists working beyond the ideologies of the post-modernism advocates, while his work is deep-rooted in pathos. Japanese manga leave its mark on his sculptures whose empathic dimension imparts them a universal impact.

"Works by Kim Simonsson come from another world filled with children looking as doleful as well-behaved, as neat as vicious. (…) We find ourselves in stories of hybridisations and transmutations, in the land of hazy identities, sagas where beasts and beauties invert themselves, where innocence plays constantly with violence, purity and perversion, where black and white, gold and silver glaze various forms of anxiety, power struggles and child sexuality." (Elisabeth Védrenne, Connaissance des Arts, November 2009)

Simonsson was awarded the prestigious “Young Artist of the Year” award in 2004 and the Pro Arte award in 2009. During the same year, he became the first Arabia Art Department Society Guest artist and got a studio at the famous manufactory. More recently he’s been selected for a residency at the Manufactory of Sevres.

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Carsten Nicolai - Unidisplay

“The installation unidisplay offers an examination of semiotics and the laws of perception. The work operates with a number of modules of different visual effects that interfere with the viewers’ perception, through optical illusion, jitter, flicker, after-image, movement, complementary colour effect, and so on. The installation unfolds against a long projection wall with two mirror walls on the side thus visually expanding like a universe. The basic visual, made up of sequences, motifs and graphic translations of various units of time measurement acts as a world clock and evokes the intertwining of time, between past, present and future. The installation is created with Derivatice’s TouchDesigner software which has been used for alva noto live performances with a triple-screen projection.” (via)

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David Gallagher

David Gallagher Contemporary ceramic installations

David Gallagher's profile on Ceramics Now Magazine - View his works

David Gallagher is a ceramic artist from Philadelphia who completed his undergraduate work at the Tyler School of Art-Temple University. He is currently pursuing his Masters of Fine Arts at Kansas State University in Manhattan, Kansas.

Research Statement
In our current epoch of ever more rapid invention it becomes paramount to analyze our relationships to the technology we produce. Systems are created on the foundations of existing technology and are tied to the accepted modes of history and the present.  These technologies mediate our experiences with the physical world. We no longer have hundreds of years to determine appropriate uses for the technology we create. In many cases this time frame can be compressed to months or even weeks, with the only criteria for its evaluation being its novelty. These tools we create enter our perception with singularity of purpose, and yet cause repercussions though out our whole cultural existence.

The primary focus of my artistic practice is the systems we create to manage our society. I am constantly investigating our understanding of the physical and psychological environments we construct. Humanity is driven to invent; to create tools that aid in the managing of society’s existence. Our instinctual proclivity to transcend what exists, to constantly refine and redefine our own existence is the central idea that drives my research. My work is a simulation and examination of systems that function within the constructs of social environments. These systems provide a framework for the investigation of the possibilities of context, specific iterations of conventional relationships.

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David Gallagher: Gavage (Fracking Scanner), 2011, Coil-built Stoneware, Wood, Foam, QR Code, Website, Digital Processor, Laser
Note: Laser Scans are surrounding the Vinyl QR code, which directs viewers to a website with Image Mapping.

David Gallagher: Gavage (Fracking Scanner), 2011, Coil-built Stoneware, Wood, Foam, QR Code, Website, Digital Processor, Laser

Note: Laser Scans are surrounding the Vinyl QR code, which directs viewers to a website with Image Mapping.

Martin Creed on My Modern Metropolis
Contemporary art doesn’t get much more fun than this! First created in 1998 with white balloons and then redone many times over, Half the Air in a Given Space is an interactive installation, by British artist Martin Creed, that’s comprised of hundreds or thousands of balloons of the same color. As the name suggests, half a room’s entire volume is filled with air-inflated balloons and then visitors are encouraged to walk through. “It is important to me,” says Creed, “that the situation is normal, that, as usual, the space is full of air; it’s just that half of it [is] inside the balloons.”

Meant to evoke a sense of celebration and remembrance of childhood, the installation is almost guaranteed to leave everyone with a smile on their face.

Last year, Nasher Sculpture Center in Dallas was graced with 9,000 giant gold balloons that filled half of an eight-foot high gallery. To get a sense of what it feels like inside the room, Anna Merian of the Dallas Observer wrote, “People kept emerging from the balloons and startling each other — you’d feel totally alone and then suddenly, a face would come looming up out of the yellowness and you’d smile sheepishly at each other, then go back to flailing and squealing and butterfly-stroking your way through the balloons.”

In Chicago, Creed has installed four versions of this work in neighborhoods throughout the city, choosing a different color balloon for each site. The first two installations (Museum of Contemporary Art Chicago) can be experienced through October 2nd and October 15th at the Hyde Park Art Center and Garfield Park Conservatory. In addition, this fantastically fun installation is coming to The Cleveland Museum of Art from September 30 through November 25, 2012. (via)

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