Katharine Morling is a ceramic artist best known for her life-size black and white sculptures full of quirky, graphic details of domestic objects such as tables, chairs, ladders and lockers. Although she calls herself a ‘3D person’, drawing is very important to Katharine because her sculptures are sketches of furniture items which plays with the viewer’s preconceptions about material and functionality. She crates animated scenes with an unusually dynamic appearance for the medium of ceramics.
The objects can be described as 3 Dimensional drawings, but at first the true nature of the material is not clear: paper or fabric? However, it is clearly ceramic. The eye then re-adjusts within the context of the memories which the material holds. The tactile experience grounds the viewer with the materials solid, cold, hard and fragile reality.
The pieces work together in a tableau staging still lives of everyday objects: table and chairs, tools and cases. Stories start to unravel in the viewer mind: the box that is locked the keys in an open draw. Toys in a case resonate with nostalgia and fantasy. A ladder propped agents a wall suggests that these toys could spring to life and lead an independent existence. A slightly surreal experience is crates when one walks amongst this strange life-sizes tableau.
The monochrome works are mainly porcelain or crank covered in a porcelain slip, before firing a black slip is painted on outlining the works with some details such as a handle or lock painted in.