Hector Mavridis: Selected works, 1994-2021
Theoretical and attitudinal changes towards ceramic discourse and practice brought about changes in how I view my materials. Thus, clay, glaze, air, water, and fire, from materials that co-existed in the production of a ceramic object, became separate entities, each one with its character, qualities, and language. Co-existence was of no importance. This ‘new’ Ceramics language code released other aesthetic events, gestural acts, and conceptual and experimentation realizations or proposals.