Ceramic artist Jennifer McCurdy lives on the island of Martha’s Vineyard. She has been working with porcelain for over twenty five years. For the last few years, she has been working with structural questions. How thin can the high fire porcelain be before it collapses in the fire? How much can it be cut away and still maintain structural integrity? How can the structural form be integrated with the visual, as in nature? How can the movement of the potter’s wheel and the fire of the kiln be reflected in the finished piece, which is rock-hard and permanent?
“Emotion fills me when I see perfect forms in nature, from the cracked conch shell on the beach revealing its perfect spiral, to the milkweed pod burst in the field, its brilliant airborne seeds streaming into the sunlight. The ordered symmetry and asymmetry of nature’s forms reveal the growth of life, the movement of life.
Living on Martha’s Vineyard, island time, especially in the winter, seems to conform to nature’s cycles. As a potter, I strive to make my work reflect the balance of life around me. It is important that the patterns I see around me are integrated into my forms.” Jennifer McCurdy
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