Carole Epp: His dreams becoming reality would be a blessing and a curse (detail)
Carole Epp: You can’t say he didn’t offer
Carole Epp: If they were all jumping… (detail)
Carole Epp: If they were all jumping…
Carole Epp: Untitled
Carole Epp: They were appropriating their identity
Carole Epp: Never believe someone over the age of thirty
Carole Epp: Set adrift in a ship of fools
The passionate and powerful figurative sculpture of the late Georges Jeanclos evokes emotion through a mastery of materials. Anguished and full of pathos, the works have an immediate and provocative poignancy. Their faces and postures show an extraordinary sense of tragic human experience; yet retain a tender beauty by the deft use of the sculptor’s chosen medium, a thin gray terra cotta.
Georges Jeanclos once said that the largest influences on his work were World War II, his apprenticeship to a sculptor, and his discovery of Etruscan art. There were tragedies in the artist’s biography that also had effect on the work. Central among those was his experience of hiding with his Jewish family during the Nazi occupation. During 1943, when he was 10 years old, his family fled the village where they had been hiding and lived in the forest near Vichy for a year to escape the Gestapo.
Jeanclos was often quoted regarding the use of the medium; for him the undecorated gray terra cotta was ideal for expressing the fragility of life. The thin clay shrouds the body and often carries fragments of words from the Psalms, the Song of Songs, or the Kaddish.
Wesley Anderegg: Food chain
Wesley Anderegg: The Beatles