Although the number of contemporary ceramic artists is relatively small, the capacity of ceramics to encompass a broad range of concepts, techniques, and materials in comparison with other arts is surprisingly big. In this issue, as well as in our first, we present artists who work with different materials and techniques, but more importantly, each of them displays a distinct idea, a little hint of what he and his passion are made of. Through the interviews and articles we have included, we want at least a part of the artists’ ideas to be ridden, passed along, and to contribute to the advancement of contemporary ceramics.
While being creative in a field as diverse as contemporary art, it is almost impossible not to draw parallels between your work and someone else’s which was probably created in a media different from the one you use. This happens inevitably, and in my opinion, it always has a purpose – either predefined or not. Even if a parallel is found, each artistic endeavor has its own origin and, at least for the creator, a unique purpose. A new level is reached when the uniqueness of the artistic initiative is recognized and supported by an entire community.
Over the past year, Ceramics Now has become the largest online art platform dedicated to contemporary ceramics, and recently we have opened promotion to artists and galleries worldwide by application. This effort resulted from the wish to offer artists a platform to express themselves, but also from the desire to establish an accessible resource for everyone wanting to research and be inspired by contemporary ceramics. Since the launch of the first issue, we have been cited as a reference by numerous universities and colleges in the United States and Europe. This step was incredibly important for us because it has proven the value of the project and has kept us working hard. Although the current issue was published later than originally planned, what is important is that all the resources we gathered through this process have already traveled the internet in the meantime, creating a powerful community around us.
Our next goal is to become even more active in promoting contemporary ceramics on an international scale. Even though we have already organized four international exhibitions, with two being prepared for this year, all of these events so far have been held in Romania. In addition to inviting foreign artists to our beautiful country, we want to visit artists in their home countries and to organize events in as many places as possible for as many artists as possible. Key to our success will be greater financial stability and transitioning to full-time staffing of this project. It is a big step that can be possible with growing support from our readers. (An act of patronage has infinitely more value than a purchase.)
Editor at Ceramics Now