Contemporary Ceramics Festival TseGlyna 2014, Kiev, Ukraine

Contemporary Ceramics Festival TseGlyna 2014, Kiev, Ukraine

Contemporary Ceramics Festival TseGlyna 2014, Kiev, Ukraine
May 30 – June 3, 2014

The contemporary art ceramics festival TseGlyna 2014 takes place in Kyiv, Ukraine, between May 30 and June 3, 2014. This art project aimed at boosting the professional ceramics development in Ukraine.

The main objectives of the project are to demonstrate the achievements of Ukrainian ceramists and to develop the cooperation between ceramists, designers, architects, gallery owners, collectors and theorists.

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Michael Geertsen: Still Life, Still Lives / Jason Jacques Gallery, New York

Michael Geertsen exhibition at Jason Jacques Gallery

Michael Geertsen: Still Life, Still Lives / Jason Jacques Gallery, New York
May 21 - June 21, 2014

Jason Jacques Gallery is pleased to announce its second contemporary exhibition with contemporary ceramic master Michael Geertsen. Following a ceramic installation at the Victoria and Albert Museum in London and a show at Puls Ceramics in his native Denmark, Michael Geertsen has come back to show in New York. Geertsen is known for sleek ceramic works with alien-like sculptural bodies, and stacked sculptures of utilitarian objects like plates and cups. His whimsical and animated forms are executed with machine-like precision, thanks to his background in industrial ceramics. Michael claims American streamline design and Italian Futurism as his primary influences.

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Simon Carroll / Corvi-Mora Gallery, London

Simon Carroll Ceramics at Corvi-Mora Gallery

Simon Carroll / Corvi-Mora Gallery, London
May 13 - June 7, 2014

Tommaso Corvi-Mora is pleased to present a solo exhibition of work Simon Carroll. Born in 1964, Simon Carroll died in 2009 at the age of 45. He was one of the most talented and inventive potters of his generation.

After the clean slate brought about by the generation of postmodern potters of the 70s and 80s (Alison Britton, Elizabeth Fritsch, Walter Keeler, Jacqui Poncelet), whose work developed also in reaction to Bernard Leach’s lasting influence, potters working in Britain divided themselves into two separate camps: those who could be called the “apollonians” (Julian Stair, Edmund de Waal, Ken Eastman), who privilege clean lines, muted colours, an interest in modes of display and an approach to ceramics influenced primarily by minimal and conceptual art, and those who could be identified as the “dionysians” (Gareth Mason, Ashley Howard), more focused on the object presented individually and on an approach closer to “art informel” and abstract expressionism. Simon Carroll’s work places itself firmly in the latter group; however the exuberance and eruptive force of his forms is always tempered by a thoughtful and affectionate reverence for the tradition and history of pottery, especially for 17th- and 18th Century slip-decorated Staffordshire wares.

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Alexandra Lerman: Immediate Release / Tina Kim Gallery, New York

Alexandra Lerman: Immediate Release exhibition at Tina Kim Gallery

Alexandra Lerman: Immediate Release / Tina Kim Gallery, New York
May 1 - June 28, 2014

Tina Kim Gallery is pleased to present Alexandra Lerman’s first solo exhibition, Immediate Release.

A coincidence of the calendar becomes a critical frame. The first of May commemorates May Day, an ancient folk festival meant to awaken the wintering body through conviviality, dance, and song, also, International Workers’ Day, the 20th century’s concession to the solidarity of laboring bodies in almost every country of the world. The 1st of May saw the opening of Immediate Release, the new exhibition of multi-media artist Alexandra Lerman.

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Transformation 9: Contemporary Works in Ceramics / Contemporary Craft, Pittsburgh

Transformation 9: Contemporary Works in Ceramics at Contemporary Craft

Transformation 9: Contemporary Works in Ceramics / Contemporary Craft, Pittsburgh
April 25 - November 1, 2014

The Transformation series, one of the Society for Contemporary Craft’s signature programs, was established in 1997 as a biennial juried exhibition focusing on traditional craft media–glass, wood, metal, clay, and found materials–in rotation. The exhibition seeks out an international selection of artists redefining their medium to create work that is challenging and thought provoking; inviting us all to reconsider our notion of “craft.”

This year’s focus is on clay. Clay has been used, decorated, coveted, and collected for thousands of years, yet in the hands of contemporary artists this irresistible medium continues to surprise through innovative techniques, forms, and functions. Visitors are invited to see what happens when makers push the boundaries of time-honored craft materials—right before our eyes, something old is new again.

In conjunction with each Transformation exhibition, the jurors award the participating artist whose work best displays the tenets of excellence and innovation the Elizabeth R. Raphael Founder’s Prize. Named in honor of SCC’s founder, the award is accompanied by a $5000 cash prize.

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Dual Natures in Ceramics: Eight Contemporary Artists from Korea / SFO Museum, San Francisco

Dual Natures in Ceramics: Eight Contemporary Artists from Korea / SFO Museum, San Francisco
May 17, 2014 - February 22, 2015

“In modern art, as everyone knows, the beauty of deformity is very often emphasized, insisted upon. But how different is Korean deformity. The former is produced deliberately, the latter naturally. Korean work is merely the natural result of the artisan’s state of mind, which is free from dualistic man-made rules.”
—Bernard Leach (1887–1979)

Renowned British studio potter Bernard Leach once acknowledged that Korean potters are admired for their naturalism and spontaneity in creating ceramics. Scholars have attempted to define the beauty of Korean ceramics as “artless art” or “unplanned plan.” Indeed, Korean ceramics have been produced by the second nature of matured, skilled hands, sometimes transcending any rules, knowledge, and intentions.

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Jun Kaneko: A Stage for a Shared Dream / Locks Gallery, Philadelphia

Jun Kaneko contemporary ceramics exhibition at Locks Gallery

Jun Kaneko: A Stage for a Shared Dream / Locks Gallery, Philadelphia
May 2-31, 2014

Locks Gallery is pleased to present an exhibition of ceramic works by the artist Jun Kaneko, alongside video excerpts of the artist’s opera design for Wolfgang Amadeus Mozart’s The Magic Flute.

Stemming from his ongoing concerns regarding spatial relationships and installation, Kaneko has fluidly moved between his sculpture and theater practice. The exhibition highlights the imaginative color palettes along with the bold and organic patterns that have become a creative signature for Kaneko’s interdisciplinary aesthetic. Discussing his glazing process, the artist remarked that, “I start thinking about orchestration of the colors around the work as a whole… sort of like a symphony. Everything has to make an interesting harmony to become one, to be there as one statement.”

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Nathan Lynch: Another High / Rena Bransten Gallery, San Francisco

Nathan Lynch: Another High at Rena Bransten Gallery, San Francisco

Nathan Lynch: Another High / Rena Bransten Gallery, San Francisco
May 13 - July 3, 2014

Brunch reception: Saturday, May 17, 11 am - 1 pm.

Inaugurating our new space at 1639 Market Street, Nathan Lynch will present a series of ceramic work which, like the gallery itself, recalls the past while grappling with an unsure future.

Motivated at first as homage to his late teacher Ken Price, Nathan Lynch’s abstract ceramic and wood sculptures make physical the difference between what we want and what we get. The work consists of abstract “blobjects” that appear to slump, sag, burst, drip, and ooze off of their platforms. Like a 4-day old helium balloon that is neither all the way up nor completely down, the forms hover in the layered emotions between elation, confusion, and disaster, suggesting the potential futility in even our best efforts.

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Emma Woffenden: Falling Hard / Marsden Woo Gallery, London

Emma Woffenden: Falling Hard at Marsden Woo Gallery, London

Emma Woffenden: Falling Hard / Marsden Woo Gallery, London
May 15 - June 21, 2014

Emma Woffenden continues to explore the figure and the fragmented body in her latest sculpture series, ‘Falling Hard’.

Using a variety of mixed materials including glass, jesmonite, polystyrene, clay and metal, Woffenden creates a discourse around the interconnectivity of the body as a physical and psychological site and the impact of what the body – whole or fragmentary – expresses. The influences of social structures and the dynamics of power relations on the individual imbue her sculpture with a palpable sense of internal conflict.

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SCORES: Fujita, Cole & Lopez / Cross MacKenzie Gallery, Washington DC

SCORES: Fujita, Cole & Lopez /at Cross MacKenzie Gallery

SCORES: Fujita, Cole & Lopez / Cross MacKenzie Gallery, Washington DC
May 9-31, 2014

Cross MacKenzie Gallery is pleased to present “SCORES” an exhibition of new ceramic sculpture and photographs by three artists whose work is based on repeating dozens or “scores” of elements to create something greater than the sum of their individual parts. Each artist’s work is full of repetitions, multiples, and variations of a seemingly simple form, built up to a greater whole, creating order out of disorder. Together, the pieces are in conversation with one another.

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Ewen Henderson / Erskine, Hall & Coe, London

Ewen Henderson ceramics exhibition at Erskine Hall and Coe

Ewen Henderson / Erskine, Hall & Coe, London
May 6 - June 5, 2014

"I fell in love with both the material and the vessel as a magical form; but it was a long time before I realised how I wanted to use it… I was seduced by the alchemy of change where you take a material…and it is transmogrified into something else."

Born in Staffordshire in 1934, Henderson became interested in painting and sculpture while working for a timber company in Cardiff and started attending evening classes at the local art school. In 1964 Henderson began a foundation course at Goldsmiths College in London where he first encountered clay. Later he would study ceramics under, among others, Hans Coper and Lucie Rie, at the Camberwell School of Art. But he always made time to draw and paint. He graduated in 1968 and continued his studies at Edinburgh College of Art before returning to London.

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2nd International Ceramic Art Symposium “LANDescape” - Ceramic Laboratory: Call for Applications

2nd International Ceramic Art SYmposium LANDescape Daugavpils

2nd International Ceramic Art Symposium “LANDescape” - Ceramic Laboratory: Call for Applications
Submissions deadline: June 15, 2014

Dates: August 11-25, 2014
Location: Mark Rothko Art Center, Daugavpils, Latvia

International Ceramic Art Symposium “LANDescape” 2014 is a joint initiative of Daugavpils Clay Art Center and Daugavpils Rothko Art Center which emerged from both partner organizations’ activities and cooperation aimed at promoting contemporary art, including contemporary ceramic processes in Latvia.

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