Overthrown: Clay Without Limits exhibition feature

This month we’re making a special feature for the Overthrown: Clay Without Limits exhibition, which is on view June 11 through September 18, 2011 at the Denver Art Museum.

It’s the first feature made by Ceramics Now Magazine, and includes images from the Overthrown exhibition and interviews with 10 of the exhibiting artists, plus with the curator of the exhibition. At the end of July, we will also send a special newsletter. Subscribe here to our monthly newsletter.

NAVIGATION (HOW TO):

About Overthrown - About the Overthrown feature on Ceramics Now Magazine
/Overthrown - Images from the exhibition (in High Quality).
/Overthrown_Interviews - Interviews with 10 of the exhibiting artists.
/nameofthe_artist (ex: /Linda_Sormin) - Images with the works of the artist you’re looking for.

Interviews (many will be published at the end of July):

Gwen F. Chanzit - The curator of the exhibition.

Coming in July: Special feature for the Overthrown: Clay Without Limits exhibition at the Denver Art Museum

This July we will make a special feature for the Overthrown: Clay Without Limits exhibition at the Denver Art Museum, which is on view June 11 through September 18, 2011.

It will include images with the exhibited works and many interviews with the participating artists. You will find all the related content in the Overthrown page.

Also, the interviews will be featured in our special edition newsletter (will be sent at the end of the month). Subscribe here if you haven’t already.

Read the preview of the interview with Gwen F. Chanzit, the curator of the exhibition.

The twenty-five artists in Overthrown: Clay Without Limits took on adventurous challenges to make the works in this exhibition. Most were made especially for Overthrown and many are in direct dialogue with our dynamic Daniel Libeskind-designed architecture; they move beyond the pedestal to the wall, the floor, and even the ceiling. A few extend beyond the Anschutz Gallery, across the entire museum complex. They break boundaries that are physical, technological, conceptual, and spatial.

Working in all scales, from architecturally expansive to almost impossibly small, the artists in Overthrown employ twenty-first-century technology hand-in-hand with standard modeling and molding techniques. They use digital cameras, computers, laser cutters, 3-D printers, and computer-controlled mills along with more traditional tools.

Some push the forms of functional objects. Others push the limits of fragility. They take risks that draw on material chemistry and maverick kiln techniques. Some of their works include not only clay, but also found objects such as metal, plastic, and abandoned industrial materials. Overthrowing our expectations of ceramic art—its size, its context, its methods, and its meaning—these artists show us new ways of using this versatile and timeless material.

Artists:

Katie Caron
Nathan Craven
Benjamin DeMott
Kim Dickey
Heather Mae Erickson
Neil Forrest
John Gill
Del Harrow
Marie T. Hermann
Tsehai Johnson
Andrew Martin
Walter McConnell
Kristen Morgin
Mia Mulvey
Jeanne Quinn
John Roloff
Annabeth Rosen
Anders Ruhwald
Martha Russo
Paul Sacaridiz
Linda Sormin
Julian Stair
Brendan Tang
Cheryl Ann Thomas
Clare Twomey

Curator: Gwen F. Chanzit, Curator of Modern and Contemporary Art and the Herbert Bayer Collection and Archive

Location: Anschutz Gallery, Level Two, Hamilton Building / The Denver Art Museum

The Denver Art Museum is located on 13th Avenue between Broadway and Bannock Streets in downtown Denver. Open Tuesday–Thursday and Saturday Sunday 10 a.m.–5 p.m., Friday 10 a.m.–8 p.m.; closed Mondays, Thanksgiving and Christmas. General admission for Colorado residents: $10 adults, $8 seniors and students, $3 for visitors 6-18, free for children 5 and younger. Admission for non-Colorado residents: $13 for adults, $10 for seniors and students, $5 for visitors 6-18, free for children 5 and younger. The Cultural Complex Garage is open; enter from 12th Avenue between Broadway and Bannock or check the DAM website for up-to-date parking information. For information in Spanish, call 720-913-0169. For more information, visit http://www.denverartmuseum.org/ or call 720-865-5000.

Photographer Jonathan Vanderweit - EXTRA!, May 2011

EXTRA!, May 2011: Jonathan Vanderweit

Interview by Vasi Hîrdo for Ceramics Now Magazine - Issue Two

Ceramics Now Magazine: Tell us who you are and what you do.

My name is Jonathan and I make photographs in Denver, CO, USA. I have been shooting for about ten years, but have really begun to focus on the craft of photography since early 2010. I also work as a videographer and creative director for a small nonprofit organization here in Denver.

Jonathan Vanderweit monocle photo

What is your present photography project, what’s its history and how do relate to it?

Jonathan Vanderweit: My work focuses on the exploration of the world around us with specific regard to the interaction between humans and the natural environment. This means finding areas where nature has begun to reclaim the world of people, which here  in the US often happens in formerly industrial/manufacturing areas as well as at the fringes of cities and towns. I love finding where our maintenance crews haven’t caught up or which taken on a kind of serendipitous equilibrium between the forces of creation and ruin.

My next two photo projects are extensions on this theme. One is a series of portraits of people who wear glasses or contact lenses. The photos will be displayed in pairs, the left a normal portrait of the subject in their glasses and the right will be a shot without them.  The image on the right will have the focus corrected to account for the person’s natural visual acuity, with a different effect for each person depending if he/she is nearsighted, farsighted, or has astigmatism.

The second project will use some of the locations I have discovered over the last year–walls, doorways, stairs, the urban features of Denver–as settings for exquisitely-dressed floating protagonists. These photos will explore the habitation of spaces that have previously been considered industrial or austere by inhabiting them with individuals bursting with style and weightlessness. Gven the labored past of many of these dwellings, one would expect that they be drab and deserted. In fact the opposite is proving true, homes in lofts and warehouses have strong draw for creative people and have become a highly desired place of residence.

Jonathan Vanderweit monocle photo


How it all started? What was your first camera and what devices do you have now?

My first camera was an Olympus OM-1 with a 50mm lens, which was a gift from my father when I was around 15 years old. Today, I primarily shoot with a  Nikon D700 and I also have a Nikon FE2 that I use when I don’t feel like carrying much, as well as a Mamiya RZ67 medium format system which is huge and exquisite serves as a constant reminder of what a camera actually does.

The instant feedback of shooting digital has accelerated my learning curve and gives me loads of flexibility when processing my images, but I will continue to shoot film for the sheer fact that it feels like creating a real thing (which makes me shoot more slowly and thoughtfully), and that the look of many film types is hard to duplicate digitally.

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